Georgi Stamatov

Georgi Stamatov

출생 : 1892-12-31, Stara Zagora, Principality of Bulgaria

사망 : 1965-08-10

프로필 사진

Georgi Stamatov

참여 작품

Tobacco
Tatko Pier
Boris Morev dreams of money and power, he’ll do everything to reach the top, including leaving his beloved Irina, to marry the daughter of the local tobacco factory owner. With the death of his father-in-law and the illness of his wife, Morev becomes the new owner of "Nicotiana" and rules with an iron fist, resulting in massive labour strikes and murder. He ropes Irina back into his life, first as a mistress and later as his second wife, but his ambitions still come first as he plans on emerging as the biggest tobacco seller once the war is over. Irina’s love for Boris is fading and she finds a lover in one of the Germans Boris is trying to strike a deal with. Set against the backdrop of World War II and communist partisans fighting against the Nazi-allied Bulgarian monarchy, the film is a screen adaptation of the Bulgarian classic novel "Tobacco" released in 1954.
Pauper's Joy
Sveti Petar
Anthology film based on six short stories by writer Elin Pelin.
Geratzite
Yordan Geraka
Gaffer Yordan the Gerak is a wealthy farmer with a large family. The Geraks live in harmony as long as his wife is alive. After her death, disagreement and strife erupt among them. Two of the sons, Bozhan and Peter, demand the partition of their father's real estate. The third son, Pavel, who is doing his military service in the town, has become estranged from the land and from his family. When Pavel returns home only to ask money from his father, Gaffer Yordan discovers that he has been robbed. His sons trade accusations and come to blows. Pavel goes back to his mistress in the city. Elka, Pavel's wife, falls ill with a venereal disease she has contracted from his husband. On a dark and stormy night Elka is about to drown herself in the river when the Gerak's old farmhand takes her back home. Before long, Elka dies, as does Gaffer Yordan. Bozhan fells the centenarian pine tree in the yard of the family home, which symbolized the patriarchal ways of the Geraks.