Márcio Câmara

Niara, a police clerk about to retire, is touched by the case of Jana, a single mother and widow who appears at the police station to claim satisfaction regarding the lack of investigation into the brutal death of the father of her newborn daughter. Added to her personal motivations and the recurring misogyny and corruption of her chief delegate, the clerk crosses the limits imposed on her to try to discover what goes on behind the institution she works for.

Leader of the student union, Saulo is the target of racist curses inside the classroom. When he retaliates, he is called to the principal's office, but refuses to suffer the consequences of the attack alone, since the aggressor is not responsible for his speech. Inspired by readings about the Black Panthers, the boy decides to stay in school until justice is done. Meanwhile, he exposes the neglect of the establishment's structure with his cell phone. Gradually, colleagues, teachers, directors and even politicians get involved in the conflict that is highlighted in the media.

Russas, a small town in northeastern Brazil, is the home of Pacarrete, a grumpy retired dance teacher who dreams of getting a big shot and starring at a dance spectacle for the whole town to see. She's close to fulfilling that dream, but not without overcoming a few impediments along the way.

The trajectory of the Brazilian punk band Plebe Rude is told in an acid and good-humored tone. Through internal dialogues, the members and contemporary characters of the phonographic industry expose differences, exorcise hurts and analyze how changes in the Brazilian scenario in recent years. The group draws a musical panorama from the events of the 70s and 80s, the group's most successful period alongside the biggest names in national rock.

The Other Side of the Atlantic is a documentary that builts a bridge in the ocean that separates Brazil and Africa. The film tackles the cultural exchanges, the imaginary created through the mirroring, the prejudice and dreams built in both sides of the atlantic through the life stories of the students of african countries in transit through Brazil.

Lucas and Felipe spend their first day of vacation together wearing out jokes and hanging out. But beneath this apparent normality, Lucas’ heart is burning in fire.

Ernest arrives in Rio and wants to live as a Brazilian lives.

A group of friends come of age during the political turmoil that plagued Brazil in the 1960's and 70's. Together, these musicians form a band called "Os Desafinados" and become a part of the groundbreaking Brazilian musical movement called Bossa Nova

Thiago lives with his family on an isolated farm in the arid backlands of Minas Gerais, Brazil. As the story unfolds and Thiago is forced to confront separations and betrayal within the home, Thiago begins, little by little, to see and understand a place that he had never been able to before, thus slowly letting go of his innocence.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

인간의 어리석음에 신물이 난 신은 모두 다 떠나서 휴가를 취하기로 결심한다. 그러기 위해서 그는 자신의 자리를 맡아줄 성자가 필요하다. 브라질에선 아직 공인된 성인이 없긴 하지만 신은 어느 곳보다도 신앙심 깊은 국민들이 있는 그 곳에서 성인을 찾기로 한다. 퀸카 다스 뮬라스 라는 성인을 찾는 신은 어부이자 타이어 수리공인 타오카, 그리고 아름다운 처녀 마다와 함께 길을 가게 된다. 이들과 함께 브라질의 방방곡곡을 돌아다니는 신의 여정은 길에서 만난 다양한 사람들로 인해 풍부한 이야기를 자아낸다. (2003년 제29회 서울독립영화제) 연출의도 시네마 노보(Cinema Novo)의 산증인 카를로스 디에게스 감독이 99년 이후 내놓은 신작 는 그가 로드 무비 장르로 다시 돌아왔음을 알려주고 있다. 텔레비전이라는 새로운 라이벌을 만나 현대화의 흐름 속에서 좌충우돌하는 일단의 카니발 배우들이 등장하는 79년작 에서와 같이 이 최신작에서 노감독이 보여주고자 하는 것은 아름다움에 대한 찬사와 그의 조국 브라질에 대한 애정이다. 또한 일련의 브라질 영화들이 담고 있는 거친 사회에 대한 비관적인 대응과는 달리 좀 더 나아질 미래에 대한 노감독의 지긋한 낙관 또한 내비치고 있는 작품이다.

The story of André, the rebel runaway son from a dominant Lebanese-Brazilian family who returns to the nest after a few years. "Lavoura Arcaica" deals with melodramatic themes of tyrannical fathers, incest and fierce family conflicts, matched by an overheated and intense visual style.

Cruel and brave Brazilian outlaw called Corisco, living in the backcountry in the Northeast, an arid region, rapes 12-year-old Dadá, who becomes his woman, following him and his gang. Although they were supposed to fight against social injustice, they terrorized the small villages along their way.