Niladri Roy

참여 작품

Chobiyal
Editor
Habol is a photographer has a studio near a crematorium. He is passionate in taking pictures of dead bodies. He works with a senior photographer Kanak in various wedding photoshoots. One day when Kanak leaves the town, Labonya a mysterious housewife comes to Habol. He falls in love with Labonya and starts staying together. When Habol's friends ask about their relationship, he disappears with the mysterious lady from the area
여행자들
Editor
나투니는 반신불수로 누워 있는 남편과 학교에 다니는 두 아이를 둔, 시골 마을에 사는 중년 여성이다. 집에는 먹을 것이 다 떨어졌고 근방에서는 돈 벌 일거리도 없으며, 인적이 드문 산속에서 땔감이라도 주우려 하면 강간의 위험이 도사린다. 극한 상황에 몰린 나투니는 이른 아침부터 산을 넘고 강을 건너 가야 하는 이웃 큰 마을로 일거리를 찾기 위해 떠난다. 가는 길에서 만난 락파티는 어려서부터 버림받고 혼자 살아와 생존의 기술을 터득한 천생 떠돌이로, 두 사람은 함께 길동무가 되어 이웃 마을을 찾아 간다.
Mahalaya
Director of Photography
Since its inception in 1931, Mahishasuramardini has been one of the most popular programmes in Bengali radio, and is currently the longest running radio programme in India, narrated by Birendra Krishna Bhadra. This film is a truthful account of what unfolded in 1976, after Aakashvani decided to replace Birendra Krishna with eminent actor Uttam Kumar in a revamped programme.
Mahalaya
Editor
Since its inception in 1931, Mahishasuramardini has been one of the most popular programmes in Bengali radio, and is currently the longest running radio programme in India, narrated by Birendra Krishna Bhadra. This film is a truthful account of what unfolded in 1976, after Aakashvani decided to replace Birendra Krishna with eminent actor Uttam Kumar in a revamped programme.
Noini
Editor
Little Noini lives with her Ma and Grandpa. In her world, they are the two most lonely persons. Despite the gloom, she tries to bring a smile on the faces around her.
Shankhachil
Editor
Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.