Eva Bay

In order to avoid being “canceled”, an association called “House of Womxn” must immediately change the panel that will be participating in an international women’s conference in order to satisfy a diversity checklist. As a result, the very diverse panelists clash in the empty clubhouse, revealing some painful differences at first, but then some affirming commonalities as well.

Nina and Karl are a perfectly normal, crazy couple. They can't live with or without each other. But suddenly, Nina can no longer stand the routine and decides to run away. She wants to be somebody else, though not (yet) an adult. The unfamiliar loneliness also affects Karl. Nina, meanwhile, doesn't seem to be able to get rid of Karl quite so easily.

Plum out of luck, Swabian farmer Huber’s farm goes under. Then his girlfriend Birgit takes over her father’s newly-acquired firm – in former East Germany. That's reason enough for Huber to bail on his debts and head out on a road trip through southwest Germany.

Tobias and Flasche are childhood friends. However, their alcoholic friendship is doing more harm than good to Tobias, who realizes he should focus on his family and career. Everything changes when Tobias tells this to Flasche.

The life of Jorg Geissner, a German banker, totally transforms with a visit to Paladiki Island, Greece. A business trip to check on a project called “Galapagos in Greece” by the islanders and for which his bank extended a loan and credit, brought him there. Being a German, he wants to investigate thoroughly, but Panos, a mini-mart owner, and the mayor try their utmost to sabotage him—to camouflage a not-so-good reality. After every single trial resulted in nothing because of the islanders’ secret meddling, Jorg’s trip becomes elongated, like The Odyssey’s, forcing him to contemplate the priorities and responsibilities in life again.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

무신경하고 충동적인 성격을 가진 건방진 젊은 여자는 사랑에 대한 갈망을 숨기고 있지만, 자신도 모르게 타인과의 관계를 계속 극단으로 몰아붙인다.

유대인 가수 넬리(니나 호스)는 나치 강제수용소에서 살아남았으나 얼굴에 입은 상처로 인해 성형수술을 받아 타인의 얼굴을 갖게 된다. 그녀는 아직도 사랑하는 남편 조니(로날드 제어펠드)가 일하는 바인 피닉스를 찾아가 그를 만나나 조니는 넬리를 알아보지 못한다. 마침 그는 나치정권에 의해 강제로 뺏긴 넬리의 유산을 되찾기 위해 그녀와 닮은 여인을 찾고 있었고 넬리는 자신을 숨기고 그의 계략에 참여하기로 한다. 한편 넬리를 구해준 레네는 자신과 함께 이스라엘로 가기로 한 넬리가 점점 조니에게 빠져들자 그가 그녀의 은신처를 나치정권에 밀고한 배신자이고 바로 그 전에 이혼절차를 밞은 사실을 알려준다. 독일 현대영화계의 주목받고 있는 감독 중 한 명인 크리스찬 펫졸드의 최근작으로 2차 세계대전 이후 독일을 배경으로 자신의 아이덴티티를 잃어버린 한 여인의 이야기를 다루고 있다.

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

This is a family story that covers thirty years in the life of the Freytag family (narrated by the grandson, Robert). When his grandfather returns from Russia in 1949, he becomes part of the German "economic miracle" by producing garden gnomes. Klaus, Robert's father, wants to become a writer. He marries Gisela who almost immediately gets pregnant with Robert - but the marriage doesn't work. Both parents abandon the child, and Robert goes on living with both pairs of grand parents. While his father belongs to the 1968 generation that rebels against their fathers he falls in love with the neighbor's's daughter Laura.

Henry is alone in a silent and darkened apartment, anxious and waiting by the phone, as his small child sleeps. Finally, a call. His wife Claire is on the other side of the world on a beach at a luxury resort, drunk, also in the dark, but apparently with another man. An adulterous affair, or a life in danger? In the harrowing wait and frantic calls that follow, is it his marriage, his wife or his sanity that is most under threat? The telephone line is the single fragile thread that connects them. All Henry can do is to hang onto that phone.

Eleven young people live in a city. It is midsummer. This is the starting point of the escalation of seemingly harmonious relationships. A postmodern urban fairy tale about loneliness of dependency. About the question of what is greater, freedom or love.

For Jules and Mia time seems to be standing still. Again and again they are trying to reinvent themselves and escape the still image, which keeps them hostage. But as soon as they dive into denial and seem to get hold of a glimpse of intimacy, reality catches up with them and throws them back onto their self-imposed struggle. "Oysters Without a Shell" is the semi-fictional portrait of two women, their dreams and fears, their dysfunctional generation, and Berlin, the city they live in that has — just like them — not found its identity yet.

Rosa von Praunheim, the director of the film, parodies himself and his time as a professor at the Film School in Potsdam Babelsberg, where he taught for six years.