23-year-old Franky is a nurse who lives with her large family in an East London borough. Obsessed with a thirst for revenge and a need to assign guilt for a traumatic event that happened 15 years before, she is unable to build any meaningful relationship until she falls in love with one of her patients – Florence. They escape to the coast where Florence lives with her more open-minded patchwork family. There, Franky finds the emotional shelter to deal with the grudges of the past.
Vicki
릭은 갑작스럽게 아내인 안젤리크를 잃고 고통스러워한다. 그러다 옆집에 사는 배리의 추천으로 아내와 똑같은 인조인간을 주문하기로 한다. 얼굴과 목소리, 가지고 있는 기억은 모두 안젤리크의 것이지만, 여전히 로봇 같은 모습에 릭은 후회하기 시작한다. 인조인간은 많은 정보를 학습하고 발달할수록 인간에게서 위협을 느끼고, 심지어 인간을 공격하기 시작한다.
Guard
The first installment of Phyllida Lloyd’s groundbreaking all-female Shakespeare Trilogy sees Harriet Walter take on the role of Brutus, who wrestles with his moral conscience over the murder of Julius Caesar.
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Harriet Walter takes the lead in the second installment of the Donmar Shakespeare Trilogy directed by Phyllida Lloyd. Featuring a diverse company of women, this unique interpretation combines both parts of Shakespeare’s history plays about King Henry IV and his son Prince Hal.
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Phyllida Lloyd’s final installment of the Donmar Shakespeare Trilogy concludes with an all-female version of The Tempest starring Harriet Walter as Prospero. This captivating reimagining explores themes of freedom and justice in the context of a women’s prison.