Tom Gibbons

참여 작품

The Metropolitan Opera: Dead Man Walking
Sound Designer
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
Julius Caesar
Sound Designer
The first installment of Phyllida Lloyd’s groundbreaking all-female Shakespeare Trilogy sees Harriet Walter take on the role of Brutus, who wrestles with his moral conscience over the murder of Julius Caesar.
National Theatre Live: Hedda Gabler
Sound Designer
“I’ve no talent for life.” Just married. Bored already. Hedda longs to be free... Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.
National Theatre Live: A View from the Bridge
Sound Designer
The great Arthur Miller confronts the American dream in this dark and passionate tale. In Brooklyn, longshoreman Eddie Carbone welcomes his Sicilian cousins to the land of freedom. But when one of them falls for his beautiful niece, they discover that freedom comes at a price. Eddie’s jealous mistrust exposes a deep, unspeakable secret – one that drives him to commit the ultimate betrayal. The visionary Ivo van Hove directs this stunning production of Miller’s tragic masterpiece.
Good
Sound Designer
Good follows a music-loving German professor in the late 1930s as he contemplates the philosophical underpinnings of shocking Nazi party policies