Writer
평화로웠던 마을은 ‘닭이 먼저냐 달걀이 먼저냐’를 두고 격렬히 논쟁하다 분열되고, 영원한 경계선을 긋는다. ‘닭이 먼저’파는 파란마을을, ‘달걀이 먼저’파는 노란 마을을 만드는데, 어느 날 각 마을 수장의 자녀인 알로윈과 베랄린이 사랑에 빠지게 된다. 둘 사이를 갈라놓으려는 주변의 훼방에도 불구하고 그들은 마을을 다시금 하나의 공동체로 합치고자 노력한다. 화합과 공존의 주제를 아름다운 색채와 감각적 음악을 통해 표현한 가나 영화
Director
평화로웠던 마을은 ‘닭이 먼저냐 달걀이 먼저냐’를 두고 격렬히 논쟁하다 분열되고, 영원한 경계선을 긋는다. ‘닭이 먼저’파는 파란마을을, ‘달걀이 먼저’파는 노란 마을을 만드는데, 어느 날 각 마을 수장의 자녀인 알로윈과 베랄린이 사랑에 빠지게 된다. 둘 사이를 갈라놓으려는 주변의 훼방에도 불구하고 그들은 마을을 다시금 하나의 공동체로 합치고자 노력한다. 화합과 공존의 주제를 아름다운 색채와 감각적 음악을 통해 표현한 가나 영화
Writer
Two sisters orchestrate a bus robbery to raise money to save their dying mother.
Director
Two sisters orchestrate a bus robbery to raise money to save their dying mother.
Writer
Three female friends find out they can make fortunes from exposing cheating husbands and boyfriends after making tons of cash unexpectedly from reporting a cheating husband to the wife. They quit their ushering job to set up "Sidechic Gang" - an agency solely dedicated to clamping down the side chick menace.
Director
Three female friends find out they can make fortunes from exposing cheating husbands and boyfriends after making tons of cash unexpectedly from reporting a cheating husband to the wife. They quit their ushering job to set up "Sidechic Gang" - an agency solely dedicated to clamping down the side chick menace.
Executive Producer
It's the 1980s in rural Ghana, and Atswei is heavily pregnant and desperate to get to Ateke to deliver her baby. But when she and husband Boi miss the morning train — the only means of transport to the city — the hapless couple are left stranded in the blazing sun with only Boi's boombox for encouragement. A madcap race against time follows in this colorful screwball comedy, with wry but affectionate nods to Ghanaian traditions and gender dynamics.
Editor
It's the 1980s in rural Ghana, and Atswei is heavily pregnant and desperate to get to Ateke to deliver her baby. But when she and husband Boi miss the morning train — the only means of transport to the city — the hapless couple are left stranded in the blazing sun with only Boi's boombox for encouragement. A madcap race against time follows in this colorful screwball comedy, with wry but affectionate nods to Ghanaian traditions and gender dynamics.
Producer
It's the 1980s in rural Ghana, and Atswei is heavily pregnant and desperate to get to Ateke to deliver her baby. But when she and husband Boi miss the morning train — the only means of transport to the city — the hapless couple are left stranded in the blazing sun with only Boi's boombox for encouragement. A madcap race against time follows in this colorful screwball comedy, with wry but affectionate nods to Ghanaian traditions and gender dynamics.
Writer
It's the 1980s in rural Ghana, and Atswei is heavily pregnant and desperate to get to Ateke to deliver her baby. But when she and husband Boi miss the morning train — the only means of transport to the city — the hapless couple are left stranded in the blazing sun with only Boi's boombox for encouragement. A madcap race against time follows in this colorful screwball comedy, with wry but affectionate nods to Ghanaian traditions and gender dynamics.
Director
It's the 1980s in rural Ghana, and Atswei is heavily pregnant and desperate to get to Ateke to deliver her baby. But when she and husband Boi miss the morning train — the only means of transport to the city — the hapless couple are left stranded in the blazing sun with only Boi's boombox for encouragement. A madcap race against time follows in this colorful screwball comedy, with wry but affectionate nods to Ghanaian traditions and gender dynamics.
