Oier Aranzabal

참여 작품

Apaiz kartzela
Camera Operator
A real voyage in an apparently unreal situation. Four priests incarcerated in Zamora's prison for priests (1968-1976) return to visit the jail where they were condemned, in some cases, to sentences of more than ten years for having given sermons in which they denounced the repression under Franco.
Apaiz kartzela
Director
A real voyage in an apparently unreal situation. Four priests incarcerated in Zamora's prison for priests (1968-1976) return to visit the jail where they were condemned, in some cases, to sentences of more than ten years for having given sermons in which they denounced the repression under Franco.
Haizearen egia
Camera Operator
Tahar is a 20-year-old Sahrawi man who lives in the Basque Country. However, his family continues to live in the Tindouf refugee camp. One day, he receives a call from there: his father is dying.
The Painter
Editor
This is the tale of a voyage which began one morning with a Skype conversation between the musician Mikel Urdangarin and the artist Alain Urrutia. The painter will give Mikel one of his paintings as a gift, but on one condition: the musician will have to go and fetch it in London, by ferry, crossing the sea. Taking the journey as an excuse, we will enter the everyday life of an artist committed to living from his work until reaching the key hidden in the centre of every artist’s labyrinth, since all searches are in fact a voyage; the creation process in itself is a voyage.
The Painter
Screenplay
This is the tale of a voyage which began one morning with a Skype conversation between the musician Mikel Urdangarin and the artist Alain Urrutia. The painter will give Mikel one of his paintings as a gift, but on one condition: the musician will have to go and fetch it in London, by ferry, crossing the sea. Taking the journey as an excuse, we will enter the everyday life of an artist committed to living from his work until reaching the key hidden in the centre of every artist’s labyrinth, since all searches are in fact a voyage; the creation process in itself is a voyage.
The Painter
Director
This is the tale of a voyage which began one morning with a Skype conversation between the musician Mikel Urdangarin and the artist Alain Urrutia. The painter will give Mikel one of his paintings as a gift, but on one condition: the musician will have to go and fetch it in London, by ferry, crossing the sea. Taking the journey as an excuse, we will enter the everyday life of an artist committed to living from his work until reaching the key hidden in the centre of every artist’s labyrinth, since all searches are in fact a voyage; the creation process in itself is a voyage.