Raffael Seyfried

Twenty-seven thousand photos of corpses, and bodies tortured in detention centers of the Syrian regime, are leaked in 2014 by a mysterious deserter with the code name "Caesar". Because of the geopolitical interests of some countries and the indifference of other nations, international justice refuses to prosecute the regime of Bashar Al Assad responsible for crimes reminiscent of Nazi or Khmer barbarism. Filmed throughout Europe over nearly four years between 2016 and 2020, the film recounts the behind-the-scenes and twists and turns of investigations and proceedings that will lead to the issuance of arrest warrants for the highest officials of Bashar al Assad's administration for crimes against humanity.

A house by the lake near Berlin: this is where former pop star Arthur Weyer, 75, and his wife Elsa, who is ten years his junior, spent many happy hours. But that is a long time ago. The couple separated four years ago - Arthur had fallen in love with a much younger woman. This relationship failed since Arthur fell ill with dementia. Despite all the bitterness, Elsa still feels responsible for Arthur and is looking for a place in a nursing home. In order to be able to finance this, the house on the lake has to be sold - but against Arthur's will. For clearing out and repairs, the two hire 45-year-old Sorin, who lives alone on a houseboat and works as a DJ. Sorin and Arthur get along great right away. First, there are violent arguments between Elsa and Sorin. But slowly Elsa and Sorin are getting closer. Suddenly things are brought up that have been repressed for years.

From ancient cave paintings to Twitter feeds and deep fakes, propaganda's rapid progression hasn't compromised its potency. Tracing its effective use by religious figures, politicians and marketers, director Larry Weinstein crafts a persuasive study of the mechanics behind propaganda. This fascinating investigation confronts us with timely questions: If we grow up surrounded by propaganda, how do we know what is true? What risks are inherited by a society tricked into their perceptions? Freedom of speech is critical to a democracy's survival, yet demagogues have consistently exploited that freedom to coerce willing supporters. Contemporary artists, including Kent Monkman, Shepard Fairey and Ai Weiwei, analyze their politically motivated work, creatively co-opting the conventions of disinformation that have permeated their respective cultures. As our platforms for spreading ideas continue to expand in a digital age, dangerous lies have never been better disguised.

German American artist Eva Hesse (1936 – 1970) created her innovative art in latex and fiberglass in the whirling aesthetic vortex of 1960s New York. Her flowing forms were in part a reaction to the rigid structures of then-popular minimalism, a male-dominated movement. Hesse’s complicated personal life encompassed not only a chaotic 1930s Germany, but also illness and the immigrant culture of New York in the 1940s. One of the twentieth century’s most intriguing artists, she finally receives her due in this film, an emotionally gripping journey with a gifted woman of great courage.