Editor
Obāchan is Japanese. She left her native archipelago in 1941 to marry one of her compatriots, 17 years older, settled in Mexico. Through fragments of family films, manga and sequences that she has shot, Nicolasa Ruiz sculpts a complex and delicate memory landscape between the two shores of the Pacific.
Writer
Obāchan is Japanese. She left her native archipelago in 1941 to marry one of her compatriots, 17 years older, settled in Mexico. Through fragments of family films, manga and sequences that she has shot, Nicolasa Ruiz sculpts a complex and delicate memory landscape between the two shores of the Pacific.
Director
Obāchan is Japanese. She left her native archipelago in 1941 to marry one of her compatriots, 17 years older, settled in Mexico. Through fragments of family films, manga and sequences that she has shot, Nicolasa Ruiz sculpts a complex and delicate memory landscape between the two shores of the Pacific.
Director
"I have done many paintings of which I am proud, in the middle of the chaos, without money", responds the artist Julio Ruiz to the questionings of his daughter, who tries to make him a film portrait. For Ruiz, the value of being congruent with oneself carries more weight than the promises of stability offered by traditional daily life.
