Valéria Mauro

참여 작품

Happy in the Gap
Assistant Editor
A black essay on trains, beaches and space occupation.
Urubus e Papagaios
Sound Editor
High Court judge returns to the small town where he was born, bringing along his beautiful and young wife. The local men get aroused and start looking for young lovers at the local bordello. Their wives even make promises and novenas asking the disappearance of the new couple. One day, the judge dies, leaving his wife unsatisfied. The corpse, as if wanting revenge, keeps an erection on.
Happier Than Ever
Sound Editor
During the military dictatorship, a political militant takes his son out of the boarding school, and puts him temporarily in a friend's luxury and empty apartment in Copacabana beach. The son knows very little about his father, and the latter cannot really explain his activities to his son, fearing for his security. So the young man stands alone in the huge apartment, waiting for the infrequent meetings with his father, without really knowing what's going on.
The Dream's Not Over
Assistant Editor
The routine of a group of brazilian teenagers living in Brasília, Brazil's capital. Their aspirations, dreams and illusions presented in a context of a country that was on the final years of a dictatorship back in the 1980s.
Flagrantes da vida rural: Fazendas Clássicas
Executive Producer
Carro de Bois
Executive Producer
Ox carts are still part of the landscapes of the Brazilian badlands, in a mixture of usefulness and poetry. Filmed in Volta Grande, in the Zona da Mata mesoregion of Minas Gerais, it was Mauro's only film in color and also his last.