Ekaterina Selenkina

Ekaterina Selenkina

출생 : 1992-10-01, St. Petersburg, Russia

약력

Ekaterina Selenkina (b. 1992, Russia) is a film director and artist born in St. Petersburg. She received her MFA in Film/Video from California Institute of the Arts. Her work received the Bright Future Award of the Hubert Bals Fund of the International Film Festival Rotterdam, IFFR, Eurimages Lab Project Award at Les Arcs Film Festival, and has also been presented at the Pacific Meridian, Camerimage, Message to Man, REDCAT arts center and others.

프로필 사진

Ekaterina Selenkina

참여 작품

우회로
우회로
Producer
다크넷을 통한 신종 불법 마약 거래를 묘사하며 공간의 정치학과 시학을 성찰하는 영화. 모스크바 곳곳에 마약 뭉치를 숨기는 일을 하는 데니스를 따라가다 놓쳤다가 또 따라가기를 반복한다.
우회로
우회로
Editor
다크넷을 통한 신종 불법 마약 거래를 묘사하며 공간의 정치학과 시학을 성찰하는 영화. 모스크바 곳곳에 마약 뭉치를 숨기는 일을 하는 데니스를 따라가다 놓쳤다가 또 따라가기를 반복한다.
우회로
우회로
Writer
다크넷을 통한 신종 불법 마약 거래를 묘사하며 공간의 정치학과 시학을 성찰하는 영화. 모스크바 곳곳에 마약 뭉치를 숨기는 일을 하는 데니스를 따라가다 놓쳤다가 또 따라가기를 반복한다.
우회로
우회로
Director
다크넷을 통한 신종 불법 마약 거래를 묘사하며 공간의 정치학과 시학을 성찰하는 영화. 모스크바 곳곳에 마약 뭉치를 숨기는 일을 하는 데니스를 따라가다 놓쳤다가 또 따라가기를 반복한다.
Recollection of a walk through Los Angeles
Recollection of a walk through Los Angeles
Director
The film resembles a memory with its lacunes, blurriness and sensuality. This is what it seems one saw some months ago wandering around Los Angeles.
Fossil Falls
Fossil Falls
Screenplay
Through the alchemical materialization of hand-processed 16mm film, ’Fossil Falls’ uncovers a charge and vibration in the natural world. The camera traverses the desert in an embodied relationship with non-human life forms, exposing a sense of desire, narrative, and point of view in the non-human. Thus, there is a kind of crisis in trying to hold onto, know, or truly become that which is unknown, or outside of the human.
Fossil Falls
Fossil Falls
Director
Through the alchemical materialization of hand-processed 16mm film, ’Fossil Falls’ uncovers a charge and vibration in the natural world. The camera traverses the desert in an embodied relationship with non-human life forms, exposing a sense of desire, narrative, and point of view in the non-human. Thus, there is a kind of crisis in trying to hold onto, know, or truly become that which is unknown, or outside of the human.
Storge
Storge
Editor
The lonely Alyona nurses her mother, who has lost her speech and mind to Alzheimer's. The daughter works from home and watches travel TV shows. One day, Alyona invites a man over, but her mother scuttles the date. On the same occasion, the daughter gets a opportunity to entirely change her life.
Storge
Storge
Producer
The lonely Alyona nurses her mother, who has lost her speech and mind to Alzheimer's. The daughter works from home and watches travel TV shows. One day, Alyona invites a man over, but her mother scuttles the date. On the same occasion, the daughter gets a opportunity to entirely change her life.
Storge
Storge
Screenplay
The lonely Alyona nurses her mother, who has lost her speech and mind to Alzheimer's. The daughter works from home and watches travel TV shows. One day, Alyona invites a man over, but her mother scuttles the date. On the same occasion, the daughter gets a opportunity to entirely change her life.
Storge
Storge
Director
The lonely Alyona nurses her mother, who has lost her speech and mind to Alzheimer's. The daughter works from home and watches travel TV shows. One day, Alyona invites a man over, but her mother scuttles the date. On the same occasion, the daughter gets a opportunity to entirely change her life.