Additional Editor
Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.
Assistant Editor
현재 체첸 공화국에서 일어나는 성소수자들을 향한 집단 학살과 폭력을 고발하는 다큐멘터리
Sound Recordist
Karen Marshall’s body, mind, and heart do not belong to her alone. She shares them with Rosalee, a smart and perky teenager; Timee, a flamboyant, puerile youth, who wears women’s clothing; an old lady, a habitué of museums; and a dozen of others. Karen’s official diagnosis is Dissociative Identity Disorder (DID). Through personal stories, “Busy Inside” delves deeply into DID — a condition that fascinates and puzzles modern psychiatry.
Editor
Karen Marshall’s body, mind, and heart do not belong to her alone. She shares them with Rosalee, a smart and perky teenager; Timee, a flamboyant, puerile youth, who wears women’s clothing; an old lady, a habitué of museums; and a dozen of others. Karen’s official diagnosis is Dissociative Identity Disorder (DID). Through personal stories, “Busy Inside” delves deeply into DID — a condition that fascinates and puzzles modern psychiatry.
Producer
Karen Marshall’s body, mind, and heart do not belong to her alone. She shares them with Rosalee, a smart and perky teenager; Timee, a flamboyant, puerile youth, who wears women’s clothing; an old lady, a habitué of museums; and a dozen of others. Karen’s official diagnosis is Dissociative Identity Disorder (DID). Through personal stories, “Busy Inside” delves deeply into DID — a condition that fascinates and puzzles modern psychiatry.
Assistant Editor
In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.
