Ola Jankowska

Ola Jankowska

약력

Ola Jankowska is a Polish writer and director working in Poland and the UK. She studied directing at Łódź Film School and the NFTS. She has made close to a dozen narrative and documentary shorts which have screened at festivals around the world. Most recently, in April 2021, her short film Windcatchers screened at the National Gallery of Art in Poland. Her first feature documentary "I Was Here", co-directed with Nathalie Biancheri, premiered at CPH:DOX in 2019. "Anatomy" is her first fiction feature, developed at the TorinoFilmLab Script&Pitch and Ekran+. For over five years, Jankowska has also been a screenwriting tutor at the Łódź Film School.

프로필 사진

Ola Jankowska

참여 작품

Anatomy
Anatomy
Screenplay
Mika arrives in Poland to pay a hospital visit to her father, who is suffering from severe brain injury and memory loss. It's the first time they have met in many years, yet her father thinks they still live together and she's a teenager. For a brief time Mika becomes her father's companion in his befuddlement gently guiding him through the labyrinth of his fading mind. And as she does so, she sets off on a journey through her own life.
Anatomy
Anatomy
Director
Mika arrives in Poland to pay a hospital visit to her father, who is suffering from severe brain injury and memory loss. It's the first time they have met in many years, yet her father thinks they still live together and she's a teenager. For a brief time Mika becomes her father's companion in his befuddlement gently guiding him through the labyrinth of his fading mind. And as she does so, she sets off on a journey through her own life.
I was Here
I was Here
Director
Do you want to be in a documentary? A bunch of Englishmen have turned up at the casting for a film that turns out to be the one we are sitting and watching. A mixed gallery of characters, who paradoxically are hoping to be cast in the roles of themselves. 'I was Here' is a social experiment with brains, a heart and underplayed humour. The many attendees are as diverse as people are in the real world. Young and old, funny and bitter, self-confident and nervous - what are they hoping to find by taking part in a film? The obvious answer is the simplest one: themselves. We look on from the other side of the camera, as they take part in the experiment. The contradiction between authenticity and performance is not just a question of identity. It is also one of the basic conflicts of modern documentary filmmaking, which Ola Jankowska and Nathalie Bianchieri turn into both a premise and a method.