Francesco Ranieri Martinotti

참여 작품

Burraco fatale
Screenplay
Irma (Claudia Gerini), Eugenia (Angela Finocchiaro), Miranda (Caterina Guzzanti) and Rina (Paola Minaccioni) are four different women, each with their own character, their own weaknesses and their own eccentricities, but linked by a deep and lasting knowledge over time, united and marked by their essential card games. When they decide to participate in a national buraco tournament and get out of their everyday life, they will suddenly find themselves with their cards exposed. Life always offers a second chance and love can go back to upsetting at any age. After all, it is the game of burraco that has taught him that a game must be played completely, to the end, and that no result is ever taken for granted.
Duisburg - Linea di sangue
Writer
After a brutal mafia-led massacre in the city of Duisburg, two detectives - one Italian, one Gernan - team up to investigate.Based on true events.
Barbieri d'Italia
Director
L'assalto
Screenplay
La seconda volta non si scorda mai
Writer
La seconda volta non si scorda mai
Director
Ti lascio perché ti amo troppo
Writer
When a story ends and the two do not know how to say goodbye comes the classic excuse "I'm leaving you because I love you too" With this sentence Daniela says goodbye to Mariano and literally disappears. The friends try to help Mariano in the most classic ways, presenting other girls. But Daniela is always in his thoughts. Finally seems to portend the nail that will drive the nail in the guise of a beautiful Brazilian. But winning does not show up at all easy.
Ti lascio perché ti amo troppo
Director
When a story ends and the two do not know how to say goodbye comes the classic excuse "I'm leaving you because I love you too" With this sentence Daniela says goodbye to Mariano and literally disappears. The friends try to help Mariano in the most classic ways, presenting other girls. But Daniela is always in his thoughts. Finally seems to portend the nail that will drive the nail in the guise of a beautiful Brazilian. But winning does not show up at all easy.
Quore
Producer
Paola, a double bass player at the last concert of her band's tour, discovers she's pregnant. But that's not the only problem she's forced to face. The relationship with her parents is problematic: his father is lost in alcohol and the future grandmother is becoming a mother for the second time. To complicate things further, the friends who play with her have just signed a contract for a series of concerts in Europe.
Lettere dalla Palestina
Director
Branchie: An Indian Dream
Production Design
Branchie: An Indian Dream
Screenplay
Branchie: An Indian Dream
Director
Abbiamo solo fatto l'amore
Story
Working together with his friend Leo as a waiter in a dining car, Simone discovers that Silvia, a girl with whom he had a casual relationship, is pregnant and wants to keep the baby.
Abbiamo solo fatto l'amore
Screenplay
Working together with his friend Leo as a waiter in a dining car, Simone discovers that Silvia, a girl with whom he had a casual relationship, is pregnant and wants to keep the baby.
Cresceranno i carciofi a Mimongo
Producer
Sergio has a degree in botanics, but cannot find a job. Then, he gets the announcement that his former girlfriend is getting married.
Cresceranno i carciofi a Mimongo
Production Design
Sergio has a degree in botanics, but cannot find a job. Then, he gets the announcement that his former girlfriend is getting married.
Cresceranno i carciofi a Mimongo
Writer
Sergio has a degree in botanics, but cannot find a job. Then, he gets the announcement that his former girlfriend is getting married.
Abissinia
Director
Antonio (Enrico Salimbeni) may not have been the most energetic waiter in the most popular restaurant in this unfashionable Adriatic tourist town, but that is no reason for his boss not to pay him. When he takes the wages that he is owed out of the till, not only does the owner throw him out, but he has him beaten up, to boot. Enzo (Mario Adorf), the owner of a restaurant so far off the beaten track it is widely known as Abissinia rather than being called by its true name, takes him in. The leisurely pace of everything that is done at the restaurant leaves Antonio with plenty of time to put together the story of its owner and the love of his life, and how he, too, fell from culinary glory to his present obscurity.