Stéphane Ghez

참여 작품

Oskar Kokoschka - Portraits européens
Director
Xenakis révolution - Le bâtisseur du son
Director
A fascinating portrait of the composer, engineer and architect Iannis Xenakis, a leader of the avant-garde and a pioneer of sound and light shows, who turned contemporary music upside down by bringing art and mathematics together.
Joan Mitchell, une femme dans l'abstraction
Director
Charlotte Perriand, Pioneer in the Art of Living
Director
This documentary explores Perriand's development from her own perspective, from the 1930s, when she made common cause with Le Corbusier and avant-garde art, to her discovery of Japan, where she was inspired to incorporate aspects of Japanese tradition into her practice of Modernism.
César sculpteur décompressé
Director
Nothing destined this child born in Marseille in 1921, and from a modest background, to become an avant-garde artist. At 12 years old, the one who is still called César Baldaccini works to help his father, but also studies drawing. In 1943, he moved to Paris and enrolled in the Beaux-Arts. He chose sculpture, an expensive art for this penniless student. From the 1950s, he shaped fine animals from metal debris collected in factories. This alloy between his Mediterranean imagination and these industrial materials earned him the attention of Picasso. But in 1960, this instinct, now in vogue, brought about a radical change. Fascinated by hydraulic presses, he presented three compressed cars at the Salon de Mai. The artist stands aside in front of the machine, and the morbid aesthetic of the breakage radiates the sculpture. Outcry!
César sculpteur décompressé
narrator
Nothing destined this child born in Marseille in 1921, and from a modest background, to become an avant-garde artist. At 12 years old, the one who is still called César Baldaccini works to help his father, but also studies drawing. In 1943, he moved to Paris and enrolled in the Beaux-Arts. He chose sculpture, an expensive art for this penniless student. From the 1950s, he shaped fine animals from metal debris collected in factories. This alloy between his Mediterranean imagination and these industrial materials earned him the attention of Picasso. But in 1960, this instinct, now in vogue, brought about a radical change. Fascinated by hydraulic presses, he presented three compressed cars at the Salon de Mai. The artist stands aside in front of the machine, and the morbid aesthetic of the breakage radiates the sculpture. Outcry!
Bernard Buffet: Le grand dérangeur
Director
The Treasures of Vatican
Director
Sur les pas de Mahler
Director