Robert Blum

Michael D'Asaro was a world ranked saber fencer before becoming a collegiate championship coach. He was a man constantly in search of reinvention who taught life lessons through the medium of fencing.

A serious Swiss melodrama/documentary about abortion, marketed as a sexy exploitation movie in the US. The film contains real medical footage.

Wehrhafte Schweiz is a Swiss Army propaganda film, made for the Expo 64 national exhibition in the then-prevailing spirit of geistige Landesverteidigung, "cultural national defense". It portrays the Swiss Army fighting against an unnamed, unseen enemy, using heavy weapons such as flamethrowers, artillery, tanks and bomber aircraft. After the enemy is repelled, the film closes with idyllic shots of beautiful Swiss landscapes. The 20-minute film was shot using the latest action film techniques in the Cinerama format on expensive MCS-70 Super Panorama 70mm stock. (Wikipedia)

The further trials of the wealthy Emmentaler farming family Jowäger and their neighbors, adapted from the second volume of the 19th century novel by Jeremias Gotthelf (pen-name of Albert Bitzius).

The trials of the wealthy Emmentaler farming family Jowäger, adapted from the 19th century novel of the same name by Jeremias Gotthelf (pen-name of Albert Bitzius), which was also published in two parts.

The farmers of a village decide to postpone the construction of a new school in profit of a concentration to cheese production. From a novel by Jeremias Gotthelf.

Der 10. Mai (The Tenth of May) was the date in 1940 that Hitler invaded the Low Countries: Belgium, Holland and Luxembourg. Neutral Switzerland, which hadn't experienced a war since the 14th century, hurriedly fortified its borders with battalions of inexperienced soldiers. The panic, confusion and isolated acts of courage which occurred on that fateful day are re-created in this Swiss docudrama. The story is "personalized" by concentrating on a fugitive German soldier (Heinz Reincke) who falls in love with the Swiss girl (Linda Geiser) who shelters him. Produced on a bare-minimum budget, Der 10. Mai is impressive more for its sincerity and raw energy than for its actual cinematic merits.

Uli has been the tenant of the "Glunggen-farm" for two years. His wife Vreneli gave him two children and the couple is happy. But this year, the harvest looks bad and his landlord calls in the rent, as the old man urgently needs money to satisfy the demands of his son and stepson. Desperate to make ends meet, Uli fraudulently sells a cow knowing that she does not produce any milk. He is pursued in court but is acquitted. But then, the buyer curses him... and disaster promptly strikes.

The film traces Uli's progress from his humble peasant surroundings to the homes of the wealthy and prominent. The characterizations are convincing, and the comic interludes surprisingly subtle and believable for a Swiss film. The no-star cast doomed Uli Der Knecht from the start so far as American distribution was concerned. It was another matter in Switzerland, where the film was one of the year's top moneymakers. Uli der Knecht was based on a novel by Jeremias Gottbelf.

Heidi, a young orphan girl living with her aunt in Frankfurt, is forced to move to the Swiss Alps to live with her ornery grandfather. At first, he resents her presence, but, after a short while, Heidi manages to pierce his gruff exterior, and the two become close. She also befriends a young shepherd named Peter. After three years, Heidi's aunt arrives and demands Heidi's return to Frankfurt.

A sailor on leave meets a beautiful girl on the ski slopes of Switzerland.

In postwar Germany, a displaced Czech boy, separated from his family during wartime, is befriended by an American GI while the boy's mother desperately searches for him.

Escaping a Nazi prison train in war-torn Italy, an American and a British soldier set out for the Swiss border and find themselves leading a multi-national party of refugees for the Italian underground.

The titular Marie-Louise is a young French lass who is evacuated to Switzerland when her country is overrun by the Nazis. Suffering a nervous breakdown, she is given comfort and shelter by a wealthy family. Unfortunately, living in the lap of luxury makes Marie-Louise hesitant to return home to her mother and war torn home. Eventually the girl comes to her senses, but it isn't easy.

In Bern above Junkerngasse 54 the caretaker has died - the old Hutzli. On the day on which he was buried, it's started again, this howling in the middle of the night - scary. Since then, no one dares to live there.

Matthias is the illegitimate son of a factory worker. He lives as an indentured child labourer at his dictatorial aunt’s remote guesthouse. The only thing he knows in life are hard work and hard punches. After a sudden death, the unhappy boy finds the opportunity to make his way to his mother. In collaboration with SRF, Cinémathèque suisse, Memoriav and Praesens Film, ZFF once again presents a freshly restored version of a Swiss cinema classic. This 1941 literary adaptation is an almost forgotten jewel of Swiss film history that offers an impressive insight into Eastern Switzerland’s embroidery industry. Born in 1930, a later chapter of the main actor Röbi Rapp’s life was portrayed in the multi-award winning docufiction DER KREIS.

While on a longer business trip, a wannabe poet urges his beautiful but more simple wife to answer his overly swollen love letters. With no idea how to respond she forwards the letters to a new young school teacher to use his answers instead...

A policeman is not convinced that the prime suspect in a murder case is realty guilty and so decides to reinvestigate the case, despite the lack of co-operation from locals.

A mountain film set around the popular ski pass in the 1930s.