Writer
Film by Bernhard Stephan.
Writer
Bruno Kappel is an established attorney in Hamburg who, in earlier times, belonged to an anarchistic student circle. His former girlfriend Karin Kunze is still a member of this scene. Bruno, who still has left-wing beliefs, becomes her attorney. But when Karin gets into a shootout with the police, she has to go into hiding. The prosecuting attorney Baller has also been a former member of the anarchistic scene. He does not want his past to be revealed by Karin′s apprehension and prosecution. Thus, he asks Kappel to find Karin and sneak her out to a foreign country.
Dramaturgy
Film by Toman and Gajer.
Writer
Soldier Ignaz Wolz returns from WWI with an immeasurable hatred of capitalist war profiteers. He decides to start his own revolution, but tries to stay away from the organized class struggle. He steals from the rich men and divides the wealth among the poor. One day, Wolz is arrested and sentenced to life in prison; seven years later he is released due to mass protests. More than ever, it is hard for him to fit in. He severs ties with his former companions, who reject his ideas, and leaves Germany.
Creative Producer
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame. She is a "newcomer" to the area and even after eleven years in the area, still a "stranger". A Cracow company announces that a money-collector is on his way to the innkeeper. Mr. Szulski arrives and the debts are settled - with money supposedly stemming from an inheritance. The next day, Szulski departs but according to the maid and the stable-boy, behaves in a very strange manner. Soon afterwards, his carriage is discovered in the Oder River, but there is no trace of the drowned man. Hradscheck's neighbor starts casting suspicion on the innkeeper. The Counselor of Justice, who heads the investigations has the spot under the pear tree dug out. A dead body is exhumed...
Creative Producer
In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.
