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The young Alberto Ruotolo leave the country cottage to go for the sharpshooter. But the command does not pull good air, three riflemen arrogant and unruly bear much disorder as anger Marshal Nero.
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Rome, 1527. Massimo Colonna is in love with Angela, a member of the Orsinis, the Colonnas'arch enemies. As she is officially engaged to Tancredi Serra, the latter, a faithless individual, has Massimo accused of the murder of Prince Orsini whereas he himself has woven it. Massimo is rejected by an outraged Angela and banned from Rome.Meanwhile the Eternal City has to face a brutal attack by armed invaders from Spain. The Spaniards are about to storm Rome when Massimo and his troops appear. The invading forces are defeated and Massimo is acclaimed by the crowd. After clearing his name, he can marry Angela.
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The Woman Who Invented Love (Italian: La donna che inventò l'amore) is a 1952 Italian historical melodrama film
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The Woman Who Invented Love (Italian: La donna che inventò l'amore) is a 1952 Italian historical melodrama film
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Having found the fabulous treasure of which Abbé Faria had spoken to him, Dantès has only one idea left: revenge. He will succeed patiently, but will not however have the heart to break the poor Mercedes. Then he will leave for the East, accompanied by a lovely Levantine, Haydé, who served him to accomplish his revenge.
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Edmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of. After many years in prison, the old Abbe dies, and Edmond escapes disguised as the dead body. Now free, Edmond must find the treasure the Abbe told him of, so he can use the new-found wealth to exact revenge on those who have wronged him.
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Annna, a rich lady, decides to finance in great secrecy a singular enterprise: the founding of a real center for the creation of ideas, directed by Mario Morelli, a poet and songwriter perpetually waiting for great success, and a painter, Enrico Bovio, who cannot find the inspiration or the model for a portrait of a woman he wants to finish. Both are short of money and, convinced of the brilliance of their ideas, wish to open that bizarre business, called precisely the "Bazaar of Ideas".