Helmut Bergmann

출생 : 1926-02-15, Niederkaina, Bautzen, Saxony, Germany

사망 : 1998-03-15

참여 작품

Jana and Jan
Cinematography
Fall 1989: Jan is almost 16. Caught while trying to escape to West Germany, he is transferred from prison to a juvenile detention center. Here, he meets Jana ... and what starts as a bet, becomes true love. When Jana gets pregnant, the situation spirals out of control. In the summer of 1990, Jana and Jan flee into the unknown, insecure future of a new Germany.
Ol' Witch
Cinematography
Eight year old Paul and his mother just moved to a skyscraper. After an embarrassing encounter with Anna, Paul meets her in the elevator. Anna makes fun of him and they start to quarrel. They can't arrange about going up or down. The elevator suddenly drops and carries them deep down into the realms of a wicked witch. The witch is out for their youth, since her own time is running out. Their only chance against her is for once to help together. They meet a blind horse, a clock without clock hand and a knight without courage helping them on their journey.
Ol' Witch
Writer
Eight year old Paul and his mother just moved to a skyscraper. After an embarrassing encounter with Anna, Paul meets her in the elevator. Anna makes fun of him and they start to quarrel. They can't arrange about going up or down. The elevator suddenly drops and carries them deep down into the realms of a wicked witch. The witch is out for their youth, since her own time is running out. Their only chance against her is for once to help together. They meet a blind horse, a clock without clock hand and a knight without courage helping them on their journey.
Forbidden Love
Director of Photography
18-year old Georg and 13-year old Barbara have been playing together as children. Play becomes love later, which leads to a catastrophe , as their parents are hostile leading to file a report to the court, as Barbara is still under age.
Zwei schräge Vögel
Cinematography
Frank and Kamminke study informatics in Leipzig and have developed a program that enables a computer to automatically find and correct errors in its software. Freshly graduated, they are relocated to a remote Thuringian village after causing a computer breakdown. There, they are supposed to work in a small company that has no clue of economic management. The rather helpful computer system from West Germany plainly lacks compatible software. But Frank and Komminke are not allowed to work with the hardware , although it is them who could make most out of the complex system. Eventually, and with the help of consultant Petra whom both are in love with, they break into the system control room on New Year′s Eve and start up the computer with their special program.
Liane
Cinematography
Jan on the Barge
Cinematography
1934, Germany. Jan is a 13 year old boy, who is raised without a mother. His father, a communist, is accused of a political murder, and predicted to be shot by the police when he was on the run. Jan lives with his aunt and finds a friend, Max, who wants to help him to find out what really with his father happened. During a conspirative gathering Max is shot by SA (Nazi paramilitary) and Jan succeed to escape in a barge. Erika, the daughter of the captain of the barge, and a boatman hide him. They try to help Jan to escape from police and find his father, who really survived.
Your Presence Is Imperative
Cinematography
Elizabeth is an open-minded young person - curious and unbiased. She is sixteen, goes to secondary school and things are really going well, not least because her father, a Party member, occupies a privileged position. But then the father suddenly dies. Elizabeth feels lonely and abandoned, all the more so because her brother has long since severed all ties with his father.
Automärchen
Cinematography
This quirky episodic comedy weaves together three plotlines centered around the employees of a car garage, with some unexpected fairytale elements to get things moving. A woodland fairy convinces shy bookkeeper Piel to suddenly start driving his Trabi far above the speed limit. Manager Neumann sells his soul to a black cat in order to purchase a more respectable vehicle. And a spirit named "Car Accident" offers to warn owner Sengebusch about upcoming traffic accidents so he can make money by always being the first on the scene.
Sabine Kleist, Aged Seven
Cinematography
Little Sabine has spent her childhood in an orphanage after her parents died in a car accident. When one of the women in charge at the orphanage, Edith, leaves to have a baby, Sabine runs away, because Edith was the only adult there she could trust. She then wanders through the city to find someone to take her in. She meets a lot of people on her journey, but she seems out of place everywhere she goes until, at last, she realizes that there is a special place where she belongs.
When Unku was Ede's Girlfriend
Cinematography
Ede falls in love with Unku, a girl from a travelling circus. Love cannot run smoothly however because Unku is a Gypsy. Various adventures take place before love is finally allowed to run its natural course.
Radiokiller
Director of Photography
Coded Message for the Boss
Cinematography
Wolf Brandin is in his mid-twenties and lives with his wife and child in East Berlin at the end of the 1950s. In West Berlin, the student of electrical engineering is recruited by the American secret service CIA. But Brandin immediately notifies the State Security of the German Democratic Republic and from then on lives a dangerous life as a double agent. When Brandin reaches the breaking point, his marriage starts to unravel because Brandin is not allowed to tell his family about his double life.
I Want to See You
Cinematography
Film by Veiczi.
Visa für Ocantros
Director of Photography
Ulzana
Cinematography
This rather unconventional Western movie is set in the middle of the 19th century in Arizona. The film portrays an Indian tribe, the Mimbreno Appacheans, who are celebrating their Thanksgiving, building an irrigation plant, carrying on commerce, and trying to settle down in a rather constricted territory. But the confrontation with the white Americans changes their situation as the mercantile "gentlemen" want to prevent the Indian tribe to become independent from the white men′s business practices. Thus, they destroy the irrigation plant and chase the Indian tribe in an inhospitable territory where they cannot survive. Led by their chief Ulzana, the Appacheans thus start a bitter fight to preserve their habitat.
Ripe Cherries
Cinematography
Helmut Kamp, the construction brigade leader, a man no longer young, life immediately confronted several difficult and woeful problems. The birth of a son, the tragic death of his wife, the relationship of his daughter Ingrid with Dr. Beißert coincided with the need to move to an uninhabited area where a nuclear power plant will be built. Kamp, Ingrid and the members of the friendly brigade decide to act as the duty and the feeling of partnership prompts them, and gradually they all become participants in the new construction...
Apache
Director of Photography
The story of Ulzana, an Apache chief who has reached a rapprochement with the local Mexican population and generously extends it to whites who travel through the territory. His people have become inured to the treacherous ways of the white man, however, and are now reliant on them for booze, 'relief flour' and beef steak.
Declaration of Love to G.T.
Cinematography
Dr. Gisa Tonius, a physicist in her thirties who has a nearly adult stepdaughter, cherishes the desire to have her own child. Suddenly, a big interdisciplinary research project threatens to significantly change Gisa′s life. Uncertain whether to look for professional or private fulfillment she asks her family and friends for their opinions. They all have different views on the point at issue. While her husband is afraid of losing her to her profession, her professor thinks that because of her talent she has an obligation towards science. In the end, Gisa reaches a decision: She wants to have a baby as well as take on the research project.
Time to Live
Cinematography
The communist and resistance fighter Lorenz Reger, who after the war put all his efforts in the creation of a socialist German state, learns that he has only a short time left to live. Nevertheless, he wants to take on one last difficult new task: He wants to restructure a large firm which has run deep into the red numbers. In a short amount of time, Reger manages to establish mutual trust between the employees and the new management. Furthermore, he motivates the employees with his personal interest for their concerns.
Mohr und die Raben von London
Cinematography
London in 1856. Karl Marx is living in exile in the British capital. One day, "Mohr", as Marx is called by his friends, meets the 13-year old worker′s son Joe. The boy works every day for twelve hours in a spinning mill and even has to work night shifts although that violates current rules. Marx tries to end the illegal activities of the spinning mill owner and one night shows up at the mill together with an inspector. But his foray is undermined by a robbery by the rebellious raven gang that is led by Joe′s brother Billy. The spinning mill owner of course takes this chance to blame his young workers for the theft. But Marx is not let astray and does not stop to fight against child labour. Furthermore, he tries to get the members of the raven gang back on the straight and narrow – with success.
Christine
Cinematography
Christine is a young farm worker in a small village in post-war Germany. Her attempts to improve her situation through further education are hampered by frequent pregnancies arising from ill-fated relationships.
Sonntagsfahrer
Director of Photography
빨간망토
Director of Photography
빨간망토 소녀는 숲 가장자리에 있는 집에서 부모님과 함께 살고 있습니다. 그녀의 친구는 토끼, 다람쥐, 곰입니다. 어린 소녀는 항상 도움을 줄 준비가 되어 있고, 친절하고, 착하고, 심지어 순진하기까지 합니다. 빨간망토 소녀는 숲속 깊은 곳에 사는 할머니를 자주 찾아갑니다. 그러나 그녀의 길은 위험한 길입니다. 늑대와 그 하수인 여우는 악행으로 모든 사람을 공포에 떨게 합니다. 어느 날 빨간망토가 그물에 걸렸습니다.
Italienisches Capriccio
Cinematography
Alwin der Letzte
Cinematography
Verwirrung der Liebe
Director of Photography
The film tells the love story of two young couples. According to their social ranks, construction worker Edy is dating employee Siegi, while medical student Dieter is dating art school student Sonja. Rather unintentionally, they exchange partners. During a carnival ball, Dieter makes out with Siegi because he falls for her her fresh and happy girlish manner. Sonja coolly observes this game and sees this intermezzo as a test for their relationship. While Siegi and Dieter vacation at the sea, Sonja falls in love with Edy. Now the die seems to be cast for new constellations. But when both couples stand in front of the registrar’s office, they finally come to their senses.
They Called Him Amigo
Cinematography
A refugee from a Nazi concentration camp is discovered by some boys in WWII Berlin. They provide him with food and help him to continue his flight. Later one of the boys, the son of a communist, is charged with theft, arrested and sent to a concentration camp.
Der Hauptmann von Köln
Director of Photography
Albert Hauptmann is an out of work waiter in Cologne who is often confused with a former Captain of the Nazi Army. Albert uses this to his advantage and becomes the Director of the Montan Corporation, and a member of the West German Parliament. Herr Karjanke, the real Captain, learns of Albert’s ruse, and wants to claim his "rightful" position in Parliament. But Karjanke cannot come forward until his politicking "Doppelganger" succeeds in passing an amnesty law for war criminals. When Albert is finally brought before a judge on charges of fraud, he learns that this own amnesty law does not apply to him.
Gebirge und Meer
Cinematography
German-Czech "Kulturfilm".
Final Accord
After her husband dies, a German woman who gave up her infant for adoption to emigrate to America returns to Germany, discovering that her child is being raised by a married orchestra conductor.