Daniele Segre
출생 : , Alessandria, Piemonte, Italia
약력
Daniele Segre (Alessandria, 1952) is an author, film and theater director and professor of documentary filmmaking. His films have almost always been broadcast on public networks and screened at the Venice Film Festival, as well as various other national and international festivals, receiving many awards, including the Giuliani De Negri Award at the Venice Film Festival, the Golden Tulip at the Istanbul International Festival, the CICAE award at the Annecy Italian Film Festival, the Filmmakers Award, and the NICE award in New York. Since 1996 he has taught the course "Cinema in reality" at the Centro Sperimentale di Cinematografia in Rome. Since 2014 he has directed the course in reporting held on the Abruzzo campus of the Centro Sperimentale di Cinematografia - National Film School.
Producer
"Tonino De Bernardi - Un tempo, un incontro" is a film about the duel between two friends who are very different from one another. Two different approaches, two characters, two views that only seem antithetical meet and then open up in front of a camera. Or, more precisely, in front of the cameras. On the one hand, the eye of Daniele Segre. On the other hand, Tonino's, which almost taints the film's aesthetics. The film's development conveys a sense of immediacy, which is a fundamental principle for both directors. Daniele films Tonino and Tonino films Daniele, and this takes place in a play of associations, and in the space of an encounter. The two directors have seized this opportunity to swap views and experiences.
Self
"Tonino De Bernardi - Un tempo, un incontro" is a film about the duel between two friends who are very different from one another. Two different approaches, two characters, two views that only seem antithetical meet and then open up in front of a camera. Or, more precisely, in front of the cameras. On the one hand, the eye of Daniele Segre. On the other hand, Tonino's, which almost taints the film's aesthetics. The film's development conveys a sense of immediacy, which is a fundamental principle for both directors. Daniele films Tonino and Tonino films Daniele, and this takes place in a play of associations, and in the space of an encounter. The two directors have seized this opportunity to swap views and experiences.
Editor
"Tonino De Bernardi - Un tempo, un incontro" is a film about the duel between two friends who are very different from one another. Two different approaches, two characters, two views that only seem antithetical meet and then open up in front of a camera. Or, more precisely, in front of the cameras. On the one hand, the eye of Daniele Segre. On the other hand, Tonino's, which almost taints the film's aesthetics. The film's development conveys a sense of immediacy, which is a fundamental principle for both directors. Daniele films Tonino and Tonino films Daniele, and this takes place in a play of associations, and in the space of an encounter. The two directors have seized this opportunity to swap views and experiences.
Screenplay
"Tonino De Bernardi - Un tempo, un incontro" is a film about the duel between two friends who are very different from one another. Two different approaches, two characters, two views that only seem antithetical meet and then open up in front of a camera. Or, more precisely, in front of the cameras. On the one hand, the eye of Daniele Segre. On the other hand, Tonino's, which almost taints the film's aesthetics. The film's development conveys a sense of immediacy, which is a fundamental principle for both directors. Daniele films Tonino and Tonino films Daniele, and this takes place in a play of associations, and in the space of an encounter. The two directors have seized this opportunity to swap views and experiences.
Director
"Tonino De Bernardi - Un tempo, un incontro" is a film about the duel between two friends who are very different from one another. Two different approaches, two characters, two views that only seem antithetical meet and then open up in front of a camera. Or, more precisely, in front of the cameras. On the one hand, the eye of Daniele Segre. On the other hand, Tonino's, which almost taints the film's aesthetics. The film's development conveys a sense of immediacy, which is a fundamental principle for both directors. Daniele films Tonino and Tonino films Daniele, and this takes place in a play of associations, and in the space of an encounter. The two directors have seized this opportunity to swap views and experiences.
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On a rainy day, driving a burgundy car, a woman decides to face her destiny.
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Three sisters, Stella, Luce and Aria, live in an isolated house, immersed in the shadows, submitted by a violent and authoritarian father, a religious fanatic obsessed with the end of the world, who keeps them prisoners behind locks and closed windows, under the pretext that the Apocalypse has finally arrived.
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A conversation between the filmmaker Manoel de Olivieira and the writer Agustina Bessa-Luís.
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A 2001 Italian documentary.
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Anthology of urban stories form seven Italian directors.
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A warehouse of the imaginary, a library of vision, a labyrinth of dreams: this, and much more, is the Museo Nazionale del Cinema. From the magic lanterns to the rotoscopes, from the archive footages of the Torino relics at the time of Pastrone, “Occhi che videro” reconstructs an atmosphere of magic and allure of the visual utopias before the Lumière brothers that any technologic marvel will ever be able reach. But the film is first of all an homage to the founder of the Museum: Maria Adriana Prolo.
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Journey into the world of transvestites and transsexuals from the South of Italy who prostitute themselves on the sidewalks of Turin where they live in crumbling walkways. The result of a two and a half years research, the film consists of a continuous, almost imperceptible transition from documentary to fiction and vice versa, characterized by respect and delicacy.
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Journey into the world of transvestites and transsexuals from the South of Italy who prostitute themselves on the sidewalks of Turin where they live in crumbling walkways. The result of a two and a half years research, the film consists of a continuous, almost imperceptible transition from documentary to fiction and vice versa, characterized by respect and delicacy.
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Journey into the world of transvestites and transsexuals from the South of Italy who prostitute themselves on the sidewalks of Turin where they live in crumbling walkways. The result of a two and a half years research, the film consists of a continuous, almost imperceptible transition from documentary to fiction and vice versa, characterized by respect and delicacy.
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This documentary intends to contribute to the analysis of the drugs problem, by studying a huge district in a peripheral area of a large city: the Mirafiori South suburb of Turin, a vast ghetto where 15.000 people live in huge 9/10-storey buildings without any social services.
