Self
Two young actors are exploring the topic of representation of LGBTI people through the history of Yugoslav cinema and social circumstances that have resulted in different treatment of these characters.
Story
Set ten years on from high school drama Next to Me, this film places the former classmates in unfamiliar territory, both physical and psychological.
Writer
Set ten years on from high school drama Next to Me, this film places the former classmates in unfamiliar territory, both physical and psychological.
Director
Set ten years on from high school drama Next to Me, this film places the former classmates in unfamiliar territory, both physical and psychological.
Writer
Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.
Director
Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.
Director
Musical takes place before summer break, six months before the original movie "Next to Me' takes place. Characters are more immature and younger than in the original movie, and with their actions lead others into unpleasant situations, sometimes even hurting them. Some of them learn something from their experiences, learn how to apologize and forgive, while others don't.
Writer
Musical takes place before summer break, six months before the original movie "Next to Me' takes place. Characters are more immature and younger than in the original movie, and with their actions lead others into unpleasant situations, sometimes even hurting them. Some of them learn something from their experiences, learn how to apologize and forgive, while others don't.
Co-Writer
When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.
Editor
After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.
Writer
After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.
Screenplay
After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.
Director
After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.
Editor
화려한 패션과 신들린 댄스음악. 밤마다 이어지는 농염한 클럽 파티.‘전후 세르비아의 뉴 제너레이션' 야스나의 일상이다. 하지만 그녀의 삶을 조금만 다가가 바라보면, 세르비아의 그늘진 현실을 어렵지 않게 볼 수 있다. 야스나의 아버지는 불치병에 고통 받고, 어머니는 몰려드는 생활고에 정신이 없다. 공교육은 제 기능을 상실한 지 오래이고, 꿈을 잃은 무채톤의 사람들이 길거리에 넘쳐난다. 비상구 조차 봉쇄당한 10대 소녀 야스나. 그녀는 자신에게 닥친 불행에 복수라도 하겠다는 듯 파티와 페이스북에 열중한다. 그리고 그 길 위에서 멋남 돌레(Djole)을 만난다. 야스나는 어렵사리 그에게 마음을 열고 사랑을 키워간다. 하지만 돌레는 야스나를 이용해 사랑이 아닌 욕망만 채울 뿐이다. 사랑에 배신당하고 희망을 잃은 야스나. 과연 야스나는 이 기나긴 악몽의 터널을 뚫고 나갈 수 있을까?
Editor
Novica is a mathematics champion in a Belgrade high school. In an attempt to overcome the ‘geek’ status at school, Novica becomes attracted to the world of skinheads by his school friend Relja. Novica is exposed to violence, hooliganism and racism; embracing the ideology and climbing up the ladder in the gang hierarchy.
Screenplay
Novica is a mathematics champion in a Belgrade high school. In an attempt to overcome the ‘geek’ status at school, Novica becomes attracted to the world of skinheads by his school friend Relja. Novica is exposed to violence, hooliganism and racism; embracing the ideology and climbing up the ladder in the gang hierarchy.
Director
Novica is a mathematics champion in a Belgrade high school. In an attempt to overcome the ‘geek’ status at school, Novica becomes attracted to the world of skinheads by his school friend Relja. Novica is exposed to violence, hooliganism and racism; embracing the ideology and climbing up the ladder in the gang hierarchy.
Editor
Trouble usually starts when the power falls into the wrong hands. That's how the book that hides an ancient evil fell to Stanislav. It does not matter whether Stanislav is a nice guy who helps old ladies cross the street, a psychopath, nerd, or a blood-thirsty young man.
Screenplay
Trouble usually starts when the power falls into the wrong hands. That's how the book that hides an ancient evil fell to Stanislav. It does not matter whether Stanislav is a nice guy who helps old ladies cross the street, a psychopath, nerd, or a blood-thirsty young man.
Director
Trouble usually starts when the power falls into the wrong hands. That's how the book that hides an ancient evil fell to Stanislav. It does not matter whether Stanislav is a nice guy who helps old ladies cross the street, a psychopath, nerd, or a blood-thirsty young man.
