Lasse Marhaug

A physical film for showing at cinema. The soundtrack, which was mainly produced in the range of frequencies below 1000Khz, physically vibrates the viewer's body. Anti-cosmos means similar with Noise, the power that breakthrough the cosmos/order. Inspired by "Cosmos and Anti-cosmos" by Japanese philosopher Toshihiko Izutsu. The soundtrack, which was mainly produced in the range of frequencies below 1000Khz, physically vibrates the viewer's body.

Still images circling around a single character. The film shifts between close-ups of simple, everyday movements, abstract sequences and written text, thus creating a study of love as at-tempts to communicate through the means of the body, the voice, language and sound.

Still images circling around a single character. The film shifts between close-ups of simple, everyday movements, abstract sequences and written text, thus creating a study of love as at-tempts to communicate through the means of the body, the voice, language and sound.

This film is a mediation on a landscape, trying to make some observations on how it shaped what the filmmaker does.

This film is a mediation on a landscape, trying to make some observations on how it shaped what the filmmaker does.

This film is a mediation on a landscape, trying to make some observations on how it shaped what the filmmaker does.

This film is a mediation on a landscape, trying to make some observations on how it shaped what the filmmaker does.

This film is a mediation on a landscape, trying to make some observations on how it shaped what the filmmaker does.

This film is a mediation on a landscape, trying to make some observations on how it shaped what the filmmaker does.

베로니카의 등장으로 알레한드라의 가족은 혼란에 빠진다. 가족의 전통, 위선, 동성애혐오, 남성우월주의가 만연한 곳에서 섹스와 사랑은 위태롭다. (2017년 제18회 전주국제영화제)

마약과의 전쟁이 한창인 멕시코. 평범한 가장인 헬리(20살)는 아버지와 아내, 그리고 여동생 에스텔라(12살)와 가난하지만 화목한 일상을 보내고 있다. 어느 날, 에스텔라의 남자친구 베토가 그녀와의 결혼자금 마련을 위해 소탕한 마약을 훔쳐내 헬리의 집에 숨기면서 이들 가족은 뜻하지 않게 마약거래에 연루된다. 다음 날, 무장한 군인들이 헬리 집에 들이 닥치면서 이들은 상상을 초월한 끔찍한 악몽의 세계로 던져지게 되는데…

Nor Noise is the first norwegian documentary about noise music. Movie Maker Tom Hovinbøle has from the start in 2001 interviewed a number of artists in the noise genre. The artists relay their thoughts on the phenomenon of noise music - what is it, where does it come from, what is the trade off when replacing traditional harmony and melody for pure audio experience, which possibilities can be explored? The movie explains the historical context of the genre, from the movement of Futurism and Luigi Russolo from before WWI to electronic experiments in the fifties, avantgarde in the sixties, industry and punk in the seventies to the final establishment of the noise genre at the end of the seventies in Japan. Adding to the flavour are concert performances.