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The successful entertainment artist Ralf Keul must develop his land on the Baltic Sea or else ultimately give it up. Inexperienced yet courageous, he hurls himself into the undertaking, which spares him no unpleasantness. He battles over the transportation and procurement of materials, constantly on the verge of a nervous breakdown, while his craftsmen offer little additional assistance.
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A film gala featuring a colorfully mixed program of musical numbers, along with the most popular artists of the GDR music, film and television scenes. The majority of the show is comprised of music performances, which are visually altered or transformed. Cabaret-style written contributions and one acts round out the program. Before each performance, the artists involved are seen in an everyday situation in their life.
Screenplay
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Monika and Johannes are married. With increasing frequency, their son Manni becomes the focus of their arguments. Since the two cannot agree to a compromise, they decide to break up. The ten-year-old Manni is supposed to spend four weeks with Monika followed by four weeks with Johannes on an alternating basis. They want to prove to each other who has the better parenting skills. The plan fails, however, because Manni is very good at playing his parents off against each other. When Monika and Johannes finally see through their son’s game, they realize that their way of life does not lead to better parenting and they conclude that good parenting can only be achieved if they work together.
Screenplay
Ewald Honig can't break his bad habit. Hardly has he crossed over into the GDR when the strapping, well-built man in his late fifties once again starts courting ladies with fraudulent intentions. His daughter Ina, burdened with the same genes, specializes in married men in their prime. Two criminologists are on the Honigs' trail, but they soon have enough to handle just dealing with each other. Meanwhile, Honig and his daughter have left their wayward path of their own accord.
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