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Natalia Libet

Natalia Libet

출생 : 1972-12-06, Lviv, Ukraine

약력

Natalia Libet has gained experience in coproduction, investment and finance while working for international companies primarily of the U.S. and German origin. Now, she works as a film producer with ESSE Production House and Digital Religion in Kyiv, Ukraine. In 2019-2021, she brought First Cut Lab to Kyiv; her first local initiative was with EAVE in Demand in 2017. She has had annual audits with Big 4; obtained an MBA with GPA: 4.00/4.00 in the U.S. in 2002; is a winner of 2000 Edmund Muskie/Freedom Support Act Graduate Fellowship Award, a member of Ukrainian Film Academy. Her selected filmography includes “Stop-Zemlia” (2021, 122’) fiction dir. Kateryna Gornostai, w. premiere - Berlinale Generation 14plus, Crystal Bear Youth Jury Award Berlinale Generation 14+ (as a producer); “Parthenon” (2019, 120’) fiction dir. Mantas Kvedaravicius Lithuania-Ukraine-France, w. premiere – the 34th Critics’ Week at the 76th Venice IFF (as a co-producer); “Anna”, 15’ fiction dir. Dekel Berenson Ukraine-UK-Israel, w. premiere - Shorts Competition at the 72th Cannes IFF, BIFA Best Short Award 2019 (as an executive producer).

프로필 사진

Natalia Libet

참여 작품

Rule of Two Walls

Rule of Two Walls

Executive Producer

Rule of Two Walls explores the war in Ukraine through the lens of artists living and creating in the midst of unprecedented conflict. Visceral, poetic, and urgent, it illuminates the vital role of cultural and spiritual defiance in times of crisis.

스톱-젬리아

Producer

내성적인 고등학교 여학생 마셰는 자신을 아웃사이더로 여기며 친구인 야나, 세냐와만 그들만의 세상을 공유한다. 마셰는 졸업 직전 마지막 학년에 치열한 시간을 보내던 중 사랑에 빠지는데, 이는 마셰가 편하다고 느끼던 세상으로부터 멀어지게끔 한다. 자아를 찾아 가는 여정과 이에 수반되는 끈기에 대한 지극히 개인적인 영화이다. (제22회 전주 영화제)

Diary of a Bride of Christ

Diary of a Bride of Christ

Producer

Marta, the film's director, faces her fears and digs into the realm of her estranged sister Nastia, a Greek-Catholic nun, to re-evaluate the world they both were brought up in.

Producer

On one of the last days of summer vacation, 12-year-old Yarik and his friend Igor witness a disturbing scene. The boys see a man allegedly strangling a young girl in the woods - but everyone concludes: Igor is sure that the two fell in love, while Yarik is convinced that the woman was killed. The history of finding evidence of a crime is revealed by growing up.

Producer

A young surgeon loses a patient on the operating table for the first time in his practice. Formally, he is not guilty, but he accuses himself. The deceased patient becomes his companion in an insoluble dispute with his conscience. How long does it take to accept death as a part of the profession?

Co-Producer

In a cheap brothel at the foothills of an Athenian fortress, a man recounts the magnificent events of his life. His search for love and glory is retold and relived by many: a prostitute with an unredeemable past, a gangster haunted by bad luck, an icon painter who has no faith - In one of the stories, the man finds his riches, in another he becomes a vagabond prophet, in yet another he returns home to his wife. Memories betray him, but he knows for sure that in one of these lives, he will be killed.

Producer

A visual comedy about overcoming cliches in cinema and in life. A desaturated girl tries to get her color back, until she meets someone who changes her perception of herself and the world around her.

Executive Producer

Living in war-torn Eastern Ukraine Anna is an aging single mother who is desperate for a change. Lured by a radio advertisement, she goes to party with a group of American men who are touring the country, searching for love.

Giorgos and Polya

Giorgos and Polya

Producer

This is a documentary story of love, a story about the long-distance relationship that started in September 2014, while war in Ukraine and the economic crisis in Greece were taking a dramatic turn.

Producer

Crocodile is a game for a big company. The host shows a word only with the gestures. The one, who guesses it, chooses the next one to lead the game. Anya comes up with a difficult word for Lisa. This New Year Eve turns into a test of their friendship.

When We Were 15

When We Were 15

Producer

Tonya is the new girl at school. Dealing with her sexuality, as well as past abuse, she is learning to accept loneliness while trying to find her place in the adult world.