Hriday Lani

참여 작품

Dashavatar
Dialogue
Two children are transported through time to learn about the 10 avatars of Lord Vishnu and discover that Vishnu took on various incarnations to combat evil in every era.
The Train: Some Lines Shoulder Never Be Crossed...
Screenplay
When two married business executives having an affair are blackmailed by a violent criminal, the two must turn the tables on him to save their families.
Aan: Men at Work
Dialogue
Crime is at its highest peak in Mumbai with it split in three ways. Walia has one-third, Manik Rao has one-third and Roshni has a third of the Mumbai territory. The crime rate rises with more smuggling, trading and illegal activities soaring.
Vadh
Dialogue
A leading psychologist's much younger wife begins an extramarital affair with his close friend. When the doctor finds out, he plots revenge, which puts himself, his wife, his close friend and his brother in mortal danger.
Sarfarosh
Dialogue
When terrorists kill a cop's brother and disable his father, he fights back against the smuggling of guns and drugs which plagues his country.
Maya Memsaab
Dialogue
A frustrated housewife whose marriage to an average man does not meet her expectations enters into an affair with a younger man. Of course, there are no easy escapes from reality.
Sardar
Writer
Sardar is a 1993 Indian biopic on Sardar Vallabhbhai Patel, one of India's greatest freedom fighters, directed by Ketan Mehta and written by noted playwright Vijay Tendulkar.
Prahaar
Dialogue
Prahaar is the story of Major Chavan, a tough and stern soldier, trained to destroy the enemy. He can see the enemy on our borders but is unaware of the invisible enemy within ourselves. When one of Major's Commandos - Peter D'Souza is killed, he is shown the harsh reality revolving around us, the enemy is within ourselves. The battlefield changes and Major Chavan makes his final attack on the enemy within this crumbling society.
Bhavni Bhavai
Dialogue
In a drought-stricken city in India, the emperor Maharaja Dhiraj Chandrasen, who has two wives, and no children, orders all kinds of rituals to appease the Rain Gods
Gaman
Screenplay
In order to improve their lifestyle, Lucknow based Ghulam Hussain decides to re-locate to Bombay, leaving his ailing mother and wife, Khairun, behind. He arrives in Bombay, and looks up his close friend, Lalulal Tiwari, who gets him a job of cleaning taxis. Ghulam subsequently learns how to drive, and is hired to drive a taxi. Despite his best efforts he is unable to save enough money to visit Lucknow. Lalulal has problems of his own, inspite of being settled in Bombay for several years; having a sweetheart, Yashodra, he is unable to even rent a decent apartment, and lives in a shanty tenement, which is slated to be demolished by the Bombay Municipal Corporation. Will Lalulal and Ghulam be able to improve their lives or will they be caught up in just surviving on a day to day basis?