Edgar Morin

Edgar Morin

출생 : 1921-07-08, Paris, France

약력

Edgar Morin (born Edgar Nahoum; 8 July 1921) is a French philosopher and sociologist of the theory of information who has been recognized for his work on complexity and "complex thought" (pensée complexe), and for his scholarly contributions to such diverse fields as media studies, politics, sociology, visual anthropology, ecology, education, and systems biology. As he explains: He holds two bachelors: one in history and geography and one in law. He never did a Ph.D. Though less well known in the anglophone world due to the limited availability of English translations of his over 60 books, Morin is renowned in the French-speaking world, Europe, and Latin America. During his academic career he was primarily associated with the École des hautes études en sciences sociales (EHESS) in Paris. At the beginning of the 20th century, Morin's family migrated from the Ottoman city of Salonica (Thessaloniki) to Marseille and later to Paris, where Edgar was born. He is of Judeo-Spanish (Sefardi) origin. When the Germans invaded France in 1940, Morin assisted refugees and joined the French Resistance. As a member of the French Resistance he adopted the pseudonym Morin, which he continues to use. He joined the French Communist Party in 1941. In 1945, Morin married Violette Chapellaubeau and they lived in Landau, where he served as a lieutenant in the French Occupation army in Germany. In 1946, he returned to Paris and gave up his military career to pursue his activities with the Communist Party. Due to his critical posture, his relationship with the party gradually deteriorated until he was expelled in 1951 after he published an article in L'Observateur politique, économique et littéraire. In the same year, he was admitted to the National Center of Scientific Research (CNRS). Morin founded and directed the magazine Arguments (1954–1962). In 1959 his book Autocritique was published. The book was a sustained reflection on his adherence to, and subsequent exit from, the Communist Party, focusing on the dangers of ideology and self-deception. In 1960, Morin travelled extensively in Latin America, visiting Brazil, Chile, Bolivia, Peru and Mexico. He returned to France, where he published L'Esprit du Temps, a work on popular culture. That same year, French sociologist Georges Friedmann brought him and Roland Barthes together to create a Centre for the Study of Mass Communication that, after several name changes, became the Edgar Morin Centre of the EHESS, Paris. Also in 1960 Morin and Jean Rouch coauthored the film Chronique d'un été, an early example of cinéma vérité and direct cinema. Beginning in 1965, Morin became involved in a large multidisciplinary project, financed by the Délégation Générale à la Recherche Scientifique et Technologique in Plozévet.

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Edgar Morin

참여 작품

Edgar Morin, un penseur à Paris
Self
Jean-Marie Serreau, découvreur de théâtres
Self
Un été + 50
A seventy-five-minute documentary featuring outtakes from "Chronicle of a Summer" (1961), along with new interviews with co-director Edgar Morin and some of the film’s participants.
Mario Ruspoli, Prince of the Whales
Colleagues, friends and specialists pay tribute to the filmmaker Mario Ruspoli in a portrait that mixes encounters, archive images and film excerpts. With testimonies from Richard Leacock, Albert Maysles, Edgar Morin, D.A. Pennebaker and others.
Here to Stay
Himself
Urban sprawl, extinct species, depletion of natural resources and global warming are all causes of deep anxiety. Here to stay takes an uncompromising look at Planet Earth today, in all its beauty but also its scars and contradictions. Illustrating the intricate relationship and contrasts between the miracles of nature and man's obsession in trying to tame them. Can we turn back the tide? What do we really want for ourselves?
Aimé Césaire, Une voix pour l'histoire
Self
A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".
망각에 저항하기
Self
샹탈 아커만을 포함해 코스타 가브라스, 미셸 피콜리 등 33명의 감독들이 모여 30개국의 양심수들을 사면할 것을 주장하며 제작한 옴니버스 영화. 샹탈 아커만은 5분 길이의 단편 "엘살바도르의 페베 엘리자베스 벨라스퀘즈를 위하여"를 연출했다.
L'heure de la vérité
Screenplay
At the end of World War 2, a Nazi escapes arrest by assuming the identity of concentration camp victim. 20 years later, he is threatened with exposure. The only way out would seem to be murder. Hour of Truth was lensed largely on location in Israel.
The Lovely Month of May
Self (uncredited)
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
Chronicle of a Summer
Director
Paris, summer of 1960. Anthropologist and filmmaker Jean Rouch, along with sociologist and film critic Edgar Morin, both assisted by Marceline and Nadine, roam the crowded streets asking ordinary people how they deal with the misfortunes of life. Are you happy? But their real purpose is to find out if people can speak sincerely in front of a camera and how they react when they are later invited to analyze the meaning of their answers.
Chronicle of a Summer
Co-Director
Paris, summer of 1960. Anthropologist and filmmaker Jean Rouch, along with sociologist and film critic Edgar Morin, both assisted by Marceline and Nadine, roam the crowded streets asking ordinary people how they deal with the misfortunes of life. Are you happy? But their real purpose is to find out if people can speak sincerely in front of a camera and how they react when they are later invited to analyze the meaning of their answers.
Chronicle of a Summer
Himself
Paris, summer of 1960. Anthropologist and filmmaker Jean Rouch, along with sociologist and film critic Edgar Morin, both assisted by Marceline and Nadine, roam the crowded streets asking ordinary people how they deal with the misfortunes of life. Are you happy? But their real purpose is to find out if people can speak sincerely in front of a camera and how they react when they are later invited to analyze the meaning of their answers.
Chronicle of a Summer
Writer
Paris, summer of 1960. Anthropologist and filmmaker Jean Rouch, along with sociologist and film critic Edgar Morin, both assisted by Marceline and Nadine, roam the crowded streets asking ordinary people how they deal with the misfortunes of life. Are you happy? But their real purpose is to find out if people can speak sincerely in front of a camera and how they react when they are later invited to analyze the meaning of their answers.