Marco D'Almeida

In Benidorm, a mecca for impersonators of live singers, Dani doesn't want to be just a cover. He will meet Sandra and discover authenticity, love and what it means not to be one more.

1917년, 제1차 세계대전이 한창이던 어느 날 포르투갈의 작은 마을 파티마에 한 줄기 빛이 비춘다. 10살 소녀 루치아와 그녀의 어린 사촌동생들은 그 빛 가운데 믿기 힘든 놀라운 광경을 목격한다. “누구세요? 어디서 오셨어요?” “천국에서 왔단다” “저희에게 오신 이유가 뭔가요?” 그들의 물음에, 그녀는 매달 13일 자신을 찾아오라 이야기하고 매일 빠짐없이 기도를 할 것을 당부하는데… 파티마 성모 발현 103주년 기념 작품. 믿음에 관한 가장 강력하고 위대한 감동 실화가 찾아온다!

Daniel had a plan, a sort of journal of the future, written in a notebook. Sometimes he went back to rectify small things, but still, life seemed pretty easy and happiness too. But, all of a sudden, everything changed for the worse: Portugal collapsed and Daniel lost his job. He couldn't afford to pay the mortgage for his house any more. His wife, also unemployed, left with his children, searching for better opportunities.

Portugal, 1944. In a country oppressed by a brutal dictatorship, there are those who resist and mobilize the people to fight for bread and freedom, even if it cost them prison, torture or their lives.

오랜 시간 고전문헌학을 강의 하며 새로울 게 없는 일상을 살아온 ‘그레고리우스’(제레미 아이언스)는 폭우가 쏟아지던 어느 날, 우연히 위험에 처한 낯선 여인을 구한다. 하지만 그녀는 비에 젖은 붉은 코트와 오래된 책 한 권, 15분 후 출발하는 리스본행 열차 티켓을 남긴 채 홀연히 사라진다. ‘그레고리우스’는 난생 처음 느껴보는 강렬한 끌림으로 의문의 여인과 책의 저자인 ‘아마데우 프라두’(잭 휴스턴)를 찾아 리스본행 야간열차에 몸을 싣게 되는데…

Andalusia in the fifties. Enrique and Carmen just meet and fall deeply in love. Carmen gets him to stay in military service in a court of the city. Enrique, in view of the injustices he witnesses every day, realizes that to change the course of things he has to act. Soon he will be involved in risky actions that endanger their lives and those of their peers.

19세기 작가 카밀루 카스텔루 브랑쿠의 소설을 바탕으로 만들어진 대서사시. 상영 시간 동안 스토리가 계속 확장되는 독특한 형식의 작품이다.

Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

Mozambique, 1969. What was meant to be a peaceful Christmas Eve ends up badly as a group of soldiers brings home a prisoner that will be murdered. Simultaneously, the Capitan's wife arrives in surprise, bringing along a Priest, who is supposed to celebrate the mass.

A version of Ben Johnson's play: A Venetian swindler goes from town to town pretending to be a dying millionaire in order to attract (and dispose of) greedy "friends".

A bad luck that should never have happened, sends Rodrigo into a coma that lasts five years. And when he wakes up, after so long haunted by the image of the woman who shot him at close range, he realizes that life has not stopped waiting for him, without realizing that everyone is lying to him. And that your best friend is getting ready to get you into trouble again.

Rui was raised in Mozambique in a small village at the frontier of a mysterious river. Son of Portuguese colonists, his best friend is Ana, a black girl godchild of his mother. At fourteen he is confronted with the tragic destruction of his childhood and has to learn to recognize two distinct realities - the European and the African.

A group of innocent hostages is left to their own deaths facing a clockwork bomb, while the whole country watches them on the TV.

After the passing of one of his friends, João remember's the summer he had with his friends when he was 12 years old.

The Bodiless Woman is an intervention film about the violence perpetuation and, above all, about the victim’s dignity and her deliverance.