Clément Ghirardi

파리의 한 클럽, 휘몰아치는 테크노 비트가 정신없이 빠져들게 만든다. 춤을 추고, 마시고, 떠드는 사람들. 펠리시는 이곳에서 사이드를 만나고, 자신의 집으로 초대해 파티를 이어 간다. 밤과 낮 사이에서 서로 다른 삶과 관점이 충돌한다.

In his first film, Julien Chauzit gathers four young adults in their twenties who are on holiday in Martigues, and he shows their political awakening, in the face of the environmental disaster to come.

Paris. Gabrielle and Enzo, two teenagers from the same gang, meet in front of the school. Cigarettes, the affirmation of sexual desire and the discovery of new drugs punctuate their day. Each one, in his own way, celebrates or laments childhood that is slipping away.

In the near future, huge tidal surges cover large portions of coastal areas. In a small town, a couple refuses to leave their home.

In the near future, huge tidal surges cover large portions of coastal areas. In a small town, a couple refuses to leave their home.

Fred, unemployed graduate like many young Nigerians, is starting a new job as a taxi driver. As for Akin, he taxes commercial vehicles for the national transport union. They both operate in the rich urban landscape of Ibadan, in which Alain Kassanda’s camera choreographs the multiplicity and perpetual power relations at play.

Fred, unemployed graduate like many young Nigerians, is starting a new job as a taxi driver. As for Akin, he taxes commercial vehicles for the national transport union. They both operate in the rich urban landscape of Ibadan, in which Alain Kassanda’s camera choreographs the multiplicity and perpetual power relations at play.

Clemente is an old Sicilian fisherman who goes on working in spite of his late age. His life is disrupted the day he finds a young refugee’s dead body stuck in the fishing nets.