Daniel Burak

출생 : 1958-01-10, Buenos Aires, Argentina

참여 작품

Drugstore
Executive Producer
Mariano invests all his savings in the purchase of the Don Irriaga kiosk. Then, he discovers that the street on which he is fronting will be imminently closed to traffic as a result of a public works project. Without work, on the verge of losing the family home, months of being a father for the second time and condemned to a nearby ruin, Mariano has to do something before the street is closed.
Drugstore
Producer
Mariano invests all his savings in the purchase of the Don Irriaga kiosk. Then, he discovers that the street on which he is fronting will be imminently closed to traffic as a result of a public works project. Without work, on the verge of losing the family home, months of being a father for the second time and condemned to a nearby ruin, Mariano has to do something before the street is closed.
¿Qué puede pasar?
Executive Producer
Marito is a somewhat immature thirty-something who still lives with his parents. With no job or stable partner, he dedicates all his time to his failed attempts to develop an intelligent drone "that helps improve the quality of life on the planet". His mother wins a trip in a contest and convinces his father to take a few days off and thus make a long-overdue honeymoon. Filled with recommendations, they leave Marito in charge of the family's home and appliance repair shop, which is quite an institution in the neighborhood. By accident, Marito loses the family savings and, together with his best friend Peter, they do everything possible to recover them, while continuing with their original plan to take advantage of the absence of Marito's parents to organize a party with lots of alcohol, no control and "Some girl named Kimberley"
Nicaragua: El sueño de una generación
Director
Nicaragua... el sueño de una generación (2012) Anonymous More than 30 years after the triumph of Sandinista Popular Revolution, Argentine 'internationalists' recall their own experience as being part of that Latin American heroic deed. For some of them, the Revolution remains as valid today as it was during those early years, some others keep only a memory of past militancy and dreams realized . All of them have their lives marked by Nicaragua.
100% lucha, el amo de los clones
Writer
Damián is the neighbor of Viloni, the most popular wrestler of 100 % Lucha. He has always hated Viloni for his popularity. That's why, taking advantage of his bio-technical knowledge, he creates lots of clones who look exactly like the wrestlers of 100 % Lucha (including Viloni). Viloni will be forced to ally with his enemies on 100 % Lucha to stop the evil doctor.
100% Lucha, la película
Producer
A villain named Koshe Plostenko (Carlos Kaspar), in charge of the underground wrestling circuit, sets out to kidnap professional wrestling idols for more income and to attract gamblers. The fighters must be released and end the illegal fight.
Bar
Producer
Martina is decided to make a documentary on the legendery Bar El Chino, a place where tango, friendship and love are highly valued. Her first night at Bar El Chino, she meets Jorge, a single father who was making a documentary about Bar El Chino also, but who had to leave it unfinished because of the economic depression. With the aid of Jorge, she will discover this wonderful place, get the documentary in progress, learn to love, and know what migration is like... from first-hand experience.
Bar
Writer
Martina is decided to make a documentary on the legendery Bar El Chino, a place where tango, friendship and love are highly valued. Her first night at Bar El Chino, she meets Jorge, a single father who was making a documentary about Bar El Chino also, but who had to leave it unfinished because of the economic depression. With the aid of Jorge, she will discover this wonderful place, get the documentary in progress, learn to love, and know what migration is like... from first-hand experience.
Bar
Director
Martina is decided to make a documentary on the legendery Bar El Chino, a place where tango, friendship and love are highly valued. Her first night at Bar El Chino, she meets Jorge, a single father who was making a documentary about Bar El Chino also, but who had to leave it unfinished because of the economic depression. With the aid of Jorge, she will discover this wonderful place, get the documentary in progress, learn to love, and know what migration is like... from first-hand experience.
Hombre muerto
Producer