Viliam Poltikovič

참여 작품

May all the beings be happy
Sound
May all the beings be happy
May all the beings be happy
Producer
May all the beings be happy
May all the beings be happy
Director of Photography
May all the beings be happy
May all the beings be happy
Screenplay
May all the beings be happy
May all the beings be happy
Director
May all the beings be happy
The Story of Tantra
Director
This documentary explores the traditions and contemporary rituals of tantra, a mysterious and provocative practice with roots in Hinduism and Buddhism.
The Story of Tantra
Screenplay
This documentary explores the traditions and contemporary rituals of tantra, a mysterious and provocative practice with roots in Hinduism and Buddhism.
The Story of Tantra
Idea
This documentary explores the traditions and contemporary rituals of tantra, a mysterious and provocative practice with roots in Hinduism and Buddhism.
Vúdú, vyprávění duchů
Sound
Vúdú, vyprávění duchů
Director of Photography
Vúdú, vyprávění duchů
Screenplay
Vúdú, vyprávění duchů
Director
Zrcadlení tmy
Sound
Zrcadlení tmy
Director of Photography
Zrcadlení tmy
Screenplay
Zrcadlení tmy
Director
Učitelé z hvězd
Editor
Učitelé z hvězd
Screenplay
Učitelé z hvězd
Director
Učitelé z hvězd
Producer
Maestra Ayahuasca
Producer
Maestra Ayahuasca
Sound
Maestra Ayahuasca
Director of Photography
Maestra Ayahuasca
Screenplay
Maestra Ayahuasca
Director
Když kámen promluví
Production Manager
Když kámen promluví
Sound
Když kámen promluví
Director of Photography
Když kámen promluví
Screenplay
Když kámen promluví
Director
Karmapa - Two Ways of Divinity
Writer
The main characters of the film are two small boys who share the throne of Karmapa, the highest office of one of Tibetan Buddhism's main sects and the third in line after the Dalai Lama and Panchen Lama. As with the Dalai Lama, Karmapa is the same soul which reincarnates in each successor to the office, who is identified by omens, portents and other signs. The Karmapa line actually pre-dates the Dalai Lama's, and their respective importance has alternated in the course of history with either the Karmapa or Dalai Lama holding precedence. Only one of the current Karmapas lives in Tibet, who is recognized by the Dalai Lama but controlled by the Chinese government for political ends. The second Karmapa lives in New Delhi, India and was selected by a Tibetan group in exile. The film was shot in India, Nepal and Tibet and features the Dalai Lama as narrator, providing an incisive spiritual and political view of occupied Tibet.