Alexandr Krylov

Vanya is a salesperson in the Hunter and Fisher shop. Kristina is a ballerina at the Perm Opera and Ballet Theatre. Kristina jokingly calls Vanya a "retro person" for her love of everything old. She herself is a modern person, nostalgia for the romantic past is not characteristic of her. And yet, these two dissimilar people have something in common - the fear of loneliness and the obsession with starting a family.

The introvert Russian girl Nadia goes on holiday to Belgrade, inhabited by extrovert Serbians. She lives according to a plan, while the Belgraders live for joy. At first, Nadia is involved with the local guy Nesha, and then with his relaxed, semi-vagrant way of life. She takes the impulsive decision to give up her dull job and Moscow for the sake of love, freedom and Belgrade. Both this love, and this freedom must undergo the test of reality, which is always more difficult than our expectations.

Everything changes in the life of a young 15-year-old Chukchi hunter Lyoshka with the advent of the Internet in the village. He falls in love – for the first time and deeply – with the silent video chat girl. Upon learning that she lives in Detroit, Lyoshka decides on the most desperate act in his life.

Schoolboy Semyon Golubovsky, Vladivostok. Students Egor Chernyuk and Oleg Alexeev, Kaliningrad. Entrepreneur Viktor Barmin, Yekaterinburg. Activist Violetta Grudina, Murmansk. Minibus driver Vladimir Semenov, Astrakhan. What unites these people? All of them are activists of regional headquarters created for the campaign of Alexey Navalny, who announced his self-nomination for the post of President of the Russian Federation. And all of them are the heroes of the film "Electing Russia."

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.