Yang Xiao

There are two important features of the Zhuang folksongs. One is the improvised antiphonal singing style, and the other is its reliance on "hawfwen", a traditional gathering of singing groups. However, the clan community of pre-modernist was collapsed in the trend of urbanization. The "singing groups" have also gradually turned into "WeChat groups". This film is in honor of this traditional folk art that once popular in Guangxi. Traveling along with songs, the camera has found different faces and gatherings, lingered in the rural areas and urban cities, trying to find the echo of "hawfwen".

There are two important features of the Zhuang folksongs. One is the improvised antiphonal singing style, and the other is its reliance on "hawfwen", a traditional gathering of singing groups. However, the clan community of pre-modernist was collapsed in the trend of urbanization. The "singing groups" have also gradually turned into "WeChat groups". This film is in honor of this traditional folk art that once popular in Guangxi. Traveling along with songs, the camera has found different faces and gatherings, lingered in the rural areas and urban cities, trying to find the echo of "hawfwen".

There are two important features of the Zhuang folksongs. One is the improvised antiphonal singing style, and the other is its reliance on "hawfwen", a traditional gathering of singing groups. However, the clan community of pre-modernist was collapsed in the trend of urbanization. The "singing groups" have also gradually turned into "WeChat groups". This film is in honor of this traditional folk art that once popular in Guangxi. Traveling along with songs, the camera has found different faces and gatherings, lingered in the rural areas and urban cities, trying to find the echo of "hawfwen".

There are two important features of the Zhuang folksongs. One is the improvised antiphonal singing style, and the other is its reliance on "hawfwen", a traditional gathering of singing groups. However, the clan community of pre-modernist was collapsed in the trend of urbanization. The "singing groups" have also gradually turned into "WeChat groups". This film is in honor of this traditional folk art that once popular in Guangxi. Traveling along with songs, the camera has found different faces and gatherings, lingered in the rural areas and urban cities, trying to find the echo of "hawfwen".

실수로 경찰관을 살해한 뒤 현상금이 붙어 경찰과 폭력배 모두에게 쫓기는 신세가 된 쩐웅 저우는 사람이 많은 휴양지 ‘와일드 구스 레이크’로 향하고, 그곳에서 자신을 돕기 위해 왔다는 여성을 만나게 된다.

Intrigued by a generous offer, a tightfisted taxi driver steps on a long night's journey with his unusual passenger. As they travel through every corner of this sleepless metropolis, he gradually discovers her gentle secret and realizes that this is probably their "last ride".

After the electricity went off, many eyes grew from the playground.

After the electricity went off, many eyes grew from the playground.

Hao Zhenguo, deputy prosecutor of Tianxiang City, was ordered to investigate the explosion of the Hushan coal mine. It was found that Qiu Chengde, chairman of the mining group, colluded with Bo Wenjiang, director of the safety supervision, Meng Yunlu, director of the homeland administration, and Qin Mu, director of the city administration. The regulations on production safety management use the opportunity of state-owned enterprise restructuring to aggressively embezzle state-owned resources, conceal the truth of the mine disaster, and waste lives. The task force was not afraid of power, and wrestled with corrupt interest groups, and finally made the victims of the grievances clear, and the corrupt elements received the due legal punishment.

On a rainy day, Zhang Xin, a filmmaker who suffers from obsession deeply, comes across a strange girl, carrying a durian. He can’t help but walk towards her. This beautiful bubble breaks once the girl turns out to be the reflection of the obsession.

On a rainy day, Zhang Xin, a filmmaker who suffers from obsession deeply, comes across a strange girl, carrying a durian. He can’t help but walk towards her. This beautiful bubble breaks once the girl turns out to be the reflection of the obsession.

On a rainy day, Zhang Xin, a filmmaker who suffers from obsession deeply, comes across a strange girl, carrying a durian. He can’t help but walk towards her. This beautiful bubble breaks once the girl turns out to be the reflection of the obsession.

비간의 영화 세계에서 과거, 현재, 미래의 시간 구분은 무용하다. 시간성을 전제하는 각기 다른 공간들 역시 얼마든지 연결되고 병치되며 공존할 수 있다는 뜻이다. 비동시적인 것의 동시적 존재, 혹은 그러한 상태가 비간의 장편 에 정확히 기입되어 있다. 감옥에서 출소한 첸은 조카 웨이웨이를 찾아 카일리를 떠나 전위안으로 향한다. 그 길목에서 그가 당도한 곳은 가상의 천변 마을 당마이. 그곳에서 첸은 과거와 미래 혹은 상상과 꿈의 세계에서 온 듯한 인물들과 조우한다. 이때 카메라는 압도적이고 장대한 롱테이크로 당마이의 시공간을 신나게 오고 가고, 그 사이 인물들과 사건은 마주쳤다 분기하다 다시 만나길 거듭한다. 연속적인 내러티브에의 욕망을 거둬낸 비간의 세계에서 인물들은 죽음의 세계조차 뛰어넘어 다르게 살고 또 계속 살아 있다. (2021년 26회 부산국제영화제/ 정지혜)

비간의 영화 세계에서 과거, 현재, 미래의 시간 구분은 무용하다. 시간성을 전제하는 각기 다른 공간들 역시 얼마든지 연결되고 병치되며 공존할 수 있다는 뜻이다. 비동시적인 것의 동시적 존재, 혹은 그러한 상태가 비간의 장편 에 정확히 기입되어 있다. 감옥에서 출소한 첸은 조카 웨이웨이를 찾아 카일리를 떠나 전위안으로 향한다. 그 길목에서 그가 당도한 곳은 가상의 천변 마을 당마이. 그곳에서 첸은 과거와 미래 혹은 상상과 꿈의 세계에서 온 듯한 인물들과 조우한다. 이때 카메라는 압도적이고 장대한 롱테이크로 당마이의 시공간을 신나게 오고 가고, 그 사이 인물들과 사건은 마주쳤다 분기하다 다시 만나길 거듭한다. 연속적인 내러티브에의 욕망을 거둬낸 비간의 세계에서 인물들은 죽음의 세계조차 뛰어넘어 다르게 살고 또 계속 살아 있다. (2021년 26회 부산국제영화제/ 정지혜)

Zhang Xin was sent to Guizhou, his hometown, to write an article. Strange things start to happen around him...

Zhang Xin was sent to Guizhou, his hometown, to write an article. Strange things start to happen around him...

Zhang Xin was sent to Guizhou, his hometown, to write an article. Strange things start to happen around him...