Self
Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.
Giovanni Ajello
The four days of Naples was not a revolution. They had no leaders, no preparations of any kind. The revolt was born and flared up in a matter of hours. The whole population of Naples took part in it, but they all did so without consulting the others. Driven by a kind of necessity, the Neapolitans took up their rifles, armed themselves with stones, household objects, and bottles of petrol, and fought on their stretch of road, anonymous and silent. Once the battle was over, everyone returned to their homes and the revolt remained in memory with only the names of the dead, those, at least, who were known. One figure still remembered is that of Gennarino Capuozzo, a ten-year-old boy who was killed on a barricade while fighting against the invaders of his village.
