Andrew Zealley

Andrew Zealley

약력

Zealley is a Toronto-based artist whose work has been situated at the shifting nexus of HIV, queer identity, and the body since 1990.

프로필 사진

Andrew Zealley

참여 작품

Becoming Mighty Real
Himself
A visual and sonic experimental short punctuated by disco and an intergenerational dialogue on HIV/AIDS in the 2020s.
Becoming Mighty Real
Director
A visual and sonic experimental short punctuated by disco and an intergenerational dialogue on HIV/AIDS in the 2020s.
save myself
Music
A response to World Catholic Youth Day and the Pope’s 2002 mass in Toronto, "save myself" is a personal meditation on faith and loss. Why does thought require words, and is anybody listening?
The Law of Enclosures
Music
Story of the same couple, first in their teenage years and then in their twilight years, paradoxically set in the same time during the backdrop of the Gulf War in the Middle East.
Hoolboom
Music
"Hoolboom" is a film that Arts Toronto commissioned local filmmaker Wrik Mead to make based on his impressions of fellow filmmaker Mike Hoolboom. With some collaboration from Mike, Wrik has produced a film about the body, self-awareness, and the art of film.
Uncut
Original Music Composer
Freely drawing from a variety of film genres, including musicals, the sudsy melodramas and documentaries and combing them with a free-flowing narrative and bright pop-art sensibilities, this hard-hitting experimental romp from Canadian filmmaker John Greyson packs a political wallop while satirically comparing and contrasting the issues of censorship and circumcision. The tale centers on the exploits of three homosexuals named Peter. Peter Koosens is obsessed with the semi-scandalous behavior of Prime Minister Pierre Trudeau while college student Peter Cort, ponders the significance and necessity of male circumcision. Peter Denham is an artist who seduces the other two and freely borrows from their work to make something of his own. Their exploits land the trio in prison after an operatic number (the police sing songs adapted from Bizet's Carmen).