Asja, a 40-year-old single woman living in Sarajevo, who meets Zoran, a 43-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.
편찮으신 할머니와 살고 있는 고아 소년 파루크는 주로 고철 조각을 모으거나 사소한 범죄들을 저지르며 매일을 보낸다. 어느 날 그는 정치권력을 가진 부유한 집안의 소심한 십대 소녀 모나를 만나게 된다. 모나는 더 이상 견딜 수 없을 정도로 지독한 집에서 뛰쳐나오기를 꿈꾸고, 피난처를 찾는다. 그러다 그녀와는 전혀 다른 세상에서 온 파루크에게 마음을 열게 된다.
Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.
Anka, 12, and Yelena, 45, know each other from the neighborhood grocery store where they spend their day, one inside, the other outside. One evening, an unexpected visit provokes an incident that both women will suffer from.
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
