Guillaume Durand

So called friends at a dinner party end up acting like a dysfunctional family.

R2I, a famous news radio station, sends its best reporting duo to Iraq: Frank, journalist, and Poussin, sound engineer. Very quickly, millions of listeners follow their highly documented stories, reflecting the hot intensity of the fighting and the difficult survival of the population.

A documentary on Jacques Vergès, the controversial lawyer and former Free French Forces guerrilla, exploring how Vergès assisted, from the 1960s onwards, anti-imperialist terrorist cells operating in Africa, Europe, and the Middle East. Participants interviewed include Algerian nationalists Yacef Saadi, Zohra Drif, Djamila Bouhired and Abderrahmane Benhamida, Khmer Rouge members Nuon Chea and Khieu Samphan, once far-left activists Hans-Joachim Klein and Magdalena Kopp, terrorist Carlos the Jackal, lawyer Isabelle Coutant-Peyre, neo-Nazi Ahmed Huber, Palestinian politician Bassam Abu Sharif, Lebanese politician Karim Pakradouni, political cartoonist Siné, former spy Claude Moniquet, novelist and ghostwriter Lionel Duroy, and investigative journalist Oliver Schröm.

"Homosexuality, this painful problem "... It was thirty years ago, the title of a program of Ménie Grégoire! But what has happened since the seventies, when France was transformed and the gay movement emerged? For gays and lesbians, thirty years of fights, hopes and despairs, thirty years of parties, sufferings and mournings, victories and emancipation. Thirty revolutionary years, pink and black, on which Yves Jeuland has examined, in an approach that is at once documentary, historian and ethnographer. First part: "Red years" (1971/1979) "Pink years" (1979/1984) Second part "Black years" (1983/1991) "Rainbow years" (1992/2002)

"Pas vu, pas pris" starts with a subject filmed 2 years ago ; ordered then forbidden to broadcasting by Canal + : it was "Pas vu à la télé". Bernard Benyamin, Henri de Virieux, Patrick de Carolis, Anne Sinclair, Charles Villeneuve (amongst others) appear before the candid camera of Pierre Carles, for once subjected to an investigation that concerns their profession. After proclaiming that there is no taboo subject on television, they discover a pirate document showing Étienne Moujeotte and François Léotard in a business discussion about the destinies of TF1. Question asked : would they have agreed to broadcast this document and if not, why not ? The investigation itself is objectively searching : anything can be said on TV except one thing, the more or less close collusion of journalists and the political powers. Pierre Carles gives us a sharp reflection on the scope of this "fourth power" that the media have become, and on the compromises of those who are its masters.

영화가 시작되면 여배우 캐롤 부케가 실명으로 등장해 위기에 처한 남자에 관한 증언을 한다. 그 남자는 유명한 코미디 배우이자 감독인 미셸 블랑. 이제 영화는 그에게 이상한 일들이 벌어지기 시작한 1년 전으로 돌아간다. 경찰이 찾아와 무임승차했다며 체포하질않나, 예정에도 없던 칸영화제에 나타나 마틸다 메이를 덮치려들고 샤를로트 생스부르의 지갑에서 돈을 훔치기까지 한다. 정작 미셸 자신은 이런일들이 어떻게 벌어졌는지 기억조차 할수 없다. 정신병이 아닐까 고민하던 그는 캐롤의 충고에 따라 시골로 가고 마침내 그와 똑같이 닮은 패트릭 올리버가 자신의 흉내를 내고 다님을 알게된다. 그런데 , 문제는 이제부터. 언제부턴가 주변사람들이 패트릭을 진짜 미셸 블랑으로 블랑을 뻔뻔스러운 사기꾼 패트릭으로 오해하기 시작하는 것이 아닌가...