Director
Using video, 16mm film, installation and photography, Koester’s work explores those troubled interzones between conscious and unconscious, the occult and the rational. The body and the notion of performance are recurring themes in his work. Koester is a conceptual, experimental artist who dramatizes the human body and creates a language of movement and gestures that evoke questions of trance and possession.
Director
Past and present life in the anarchistic "free city" of Christiania, in Copenhagen, Denmark. In Sandra of the Tuliphouse or How to Live in Free State, Christiania is approached at face-value, as a self-described laboratory of freedom, an environment that provides an almost unparalleled opportunity to unravel a very particular history of markedly contrasting power relations and vivid social forces. Borrowing from the usually dispirit practices of cultural geography and fictional narrative the project is constructed as a visual, spatial, and aural investigation of the site. The situation at Christiania in 2001 is compared with its distant past as a military base, its more recent utopian regeneration, and its possible future.
