Françoise Dreyer
After the death of her mother, a woman returns home to care for her sister.
Alice's mother
May 6th, 2007: Alice, a socialist activist, still believes in Ségolène Royal and decides to do everything in her power to help the socialist candidate win. Unfortunately, nothing goes as expected.
For years, Alain and Madeleine, in their fifties, have consecrated all of their time to their small bistro. Devoted to serving their clientele, they are liked by everyone. The arrival of a new customers, a young worker passing through named Jacques, turns their lives upside down...
The deeds of Jean Moulin, a hero of the French Resistance.
In a village in the north, the life of a family is turned upside down : the mother's affair denounced by her opportunistic son, and the father weighed down by his failing business.
Associate Producer
La Première éducation sentimentale (the first version of L'Éducation sentimentale), re-adapting the themes of first love, the intoxication of desire, and failed ideological revolution (that culminated in the Revolution of 1848) to the May 68 generation through a chronicle of the parallel lives of a pair of childhood friends, the pragmatic Henri and idealistic Jules as they leave their bucolic, rural hometown to separately pursue their baccalaureate - and real world - educations.
Mme de Silva
A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment.
Beatrice
Juliette wants to help her brother open his aero-club, but she can't pay back her loans. Her friend Justine suggests she become an escort to pay off her debts
Mme Cochrane
This film is about Gils, a young boy (about ten) in a juvenile mental hospital in 1950's France. Flashbacks recount his conflicts with authority and his strong relationship with Jessica, a similarly rebellious schoolmate. Simultaneously, a compassionate doctor develops a trusting friendship with Gils, which a higher-ranking authoritarian doctor tries to thwart.
Agnès
From birth to death every subject remains intact. Three ages, three women. Daughter, mother, grandmother. Each of them before and after still and always. And the men too, those they meet those they love.
A little town in the north of France, 1941. Blanche has three children. She worries about her husband Victor, who often goes out at night. Actually, Victor belongs to the Resistance. Soon, Blanche will be a resistant too. In the network, there is also Germinal, the hairdresser. His daughter Marie knows everything and asks to be part of it... Chronicle of the occupation and of the resistance through the eyes of the women.
Paula
18세 우편배달부 쥘은 세계적인 프리마돈나 가수 신시아의 라이브 콘서트를 녹음하고 그녀의 무대의상을 훔친다. 이는 쥴의 디바 신시아에 대한 숭배의식이다. 그녀는 음반을 내지 않을 뿐만 아니라 자기의 노래를 녹음하지도 못하게 한다. 그녀의 음악회라면 세계 어느곳이든 달려가는 쥘은 마침내 그녀의 노래를 녹음하게 되나, 음반취입을 하지 않는 것을 원칙으로 하는 그녀를 쥘은 잘 알고 있기에, 자기만의 비밀로 간직하게 된다한편, 생 라자르 역에서 나디아라는 여인이 살해당하고, 현장에 세워져 있던 쥴의 우편배달용 오토바이에 나디아가 죽기전에 남긴 조직의 비밀이 녹음된 카세트 테입이 숨겨진다. 한편 경찰에서는 파리 매춘조직을 일망타진할 수 있는 증거가 담긴 나디아의 카세트 테입을 찾아내라는 엄명이 떨어진다. 음악회가 있었던 날 생 라쟈르 거리에서 우편을 취급하고 있던 쥘의 가방 속에 우연히 흘러들어가게 된 이 테입으로 인해서 쥘은 이 사건 속에 휘말리게 되는데......
