Romana Karlíková

그 누구도 실체를 몰라 그레이 맨으로 불리는 CIA의 암살 전문 요원이우연히 CIA의 어두운 비밀을 발견한다. 이런 그의 목에 현상금을 건 소시오패스 기질의 전직 요원. 세계 곳곳을 배경으로 두 사람의 쫓고 쫓기는 추격전이 펼쳐진다.

The comedy unfolds in the attractive environs of the never-ending filming of a TV series. The performance opens up with wonderful interplay of relationships, characters, situations, conflicts, big hopes and ambitious plans interwoven with a love motif. At the end of this bizarre story we are surprised by the harmony created from the discord of authentic human emotions.

Two eleven-year-old boys use cameras to document their worlds.

Honza Marak has long since abandoned a career in IT and has bought a cottage on the outskirts of a small village, where he’s settled in with his wife Marketa, daughter Anyna and son Sayen. He works in the woods as a forest labourer repairing roads and enclosures, cutting wood to sell and assisting the foresters. Marketa earns a living as a masseuse and alternative healer, making use of various mind-altering plants and mushrooms, which leads to conflict with the old inhabitants and eventually with drug enforcement. Daughter Anyna attends a distant school where her grades deteriorate as she wanders the woods learning from nature rather than from her textbooks.

Honza Marak has long since abandoned a career in IT and has bought a cottage on the outskirts of a small village, where he’s settled in with his wife Marketa, daughter Anyna and son Sayen. He works in the woods as a forest labourer repairing roads and enclosures, cutting wood to sell and assisting the foresters. Marketa earns a living as a masseuse and alternative healer, making use of various mind-altering plants and mushrooms, which leads to conflict with the old inhabitants and eventually with drug enforcement. Daughter Anyna attends a distant school where her grades deteriorate as she wanders the woods learning from nature rather than from her textbooks.