Claude Plouganou

Bruno Bonbeck, a retired soccer referee, is the world’s biggest layabout until his politician wife, the Junior Minister for Sport, delivers an ultimatum: you get a job or I get a divorce. The film traces the trials and tribulations of Bruno’s 18-hour hunt for gainful employment and has a very unexpected ending.

나비 수집가인 아버지를 찾아 시녀 베스와 함께 긴 여행 중인 그웬돌린. 그녀는 부둣가에서 지친 몸을 추스르고 있는 중, 인신매매를 일삼는 세 남자에 의해 납치를 당해 팔려간다. 그웬돌린을 사들인 중국 갱들은 그녀를 능욕하려고 하지만, 갑자기 창문을 깨고 나타난 윌라드가 갱들을 모두 처리하고 사라진다. 위기를 넘긴 그웬돌린은 베스와 재회를 한다. 이윽고 그웬돌린 일행은 아버지를 찾아 미지의 세계로 모험을 떠나게 된다.

Julien is an electronics professional who is down on his luck when he decides to enter an international sailboat race. He is led astray from his original good intentions by a low-life press agent who convinces him it would be well worth his while to win the race by illegal maneuvering. As he sets off, flashbacks tell how he came to be on the sailboat; later he has long monologues -- several of them, and in-between he occasionally battles to stay afloat on an uncooperative sea.

Isabelle and Maxime are a pair of lighthearted lovers -- that is, until Isabelle gets the itch for motherhood. When she confesses her desire for a child, Maxime panics. As a cartoonist by trade he is far from financially stable, so he outright rejects the idea of parenthood. What follows is a roller-coaster romance full of recriminations and reconciliations, until Maxime must ultimately decide whether his fear of becoming a parent is a reason to leave.

Guy is fired from is job, and asks to stay with his friend and his girlfriend in their apartment. The longer he stays, the more disaster he creates.

An absurd black comedy that cunningly reverses the conventions of the crime thriller to comment on the alienating and dehumanizing effects of contemporary urban life. Alphonse Tram is unwittingly involved in several murders despite having no memory of committing the crimes. His confusion lead him to confess to his neighbour, Inspector Morvandieu. Alphonse and Morvandieu become the axis around which murders occur.

A 17-year-old high school student, Jenny Kern, is found dead from cold and exhaustion in the suburbs of Lausanne, Switzerland.

1977년 개봉한 프랑스, 스위스의 드라마 영화이다. 알랭 레네가 감독을, 데이비드 머서가 각본을 맡았다. 1978 세자르상 시상식에서 작품상, 감독상, 편집상 등 7개 부문 상을 수상했다.

젊고 아름다운 여류 사진 작가 0(O: 코린 클레이 분)는 매력적인 연인 르네(Rene: 유두 키에르 분)에게 이끌려 파리 근교의 신비롭고 웅장한 고성 '르와시'에 도착한다. 반나체의 여인들과 그 여인들을 지배하는 남자들로 가득한 이곳은 성에 의해 존재하고 성에 의해 지배당하는 새로운 세계. 르네는 그녀에게 르와시에서 일어나는 모든 일에 대해 절대 복종할 것을 요구한다. 여자들을 성의 노예로 길들이는 그 곳의 남자들은 0에게 의식을 행하듯 차례로 그녀를 범하고 다른 여자들처럼 붉은 가운만을 입힌다. 남자들과 말할 수도, 바라볼 수도, 반항할 수도 없이 오직 복종만이 존재하는 것이 '르와시'의 규칙이다. 그날부터 그녀의 몸은 구석구석 탐구 되어지고, 채찍을 맞고, 사슬에 묶인 채 밤을 지새는 등 혹독한 성적 학대를 받는다. 이 모든 것은 그녀를 훈련시키는 피에르에 의해 이루어진다. 그러나 그녀는 이 모든 것이 사랑하는 르네를 위하는 일이라고 생각하며 그들의 성적인 고문을 받아 들이고 자신의 육체가 서서히 새로운 성에 눈 뜨고 있음을 알게 된다. 밤낮 구분없이 강요되는 동물적 섹스와 수치스러운 채찍질, 엉덩이에 낙인까지 찍히는 고통속에 환희를 동시에 느끼며 새롭게 태어나는 0는 점차 변화하는 자신을 즐기며 관계를 맺는 모든 남자들을 사랑하게 된다.

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

Andrés' parents, in Madrid, and Pierre's parents, in Paris, have agreed to a school exchange for their children during the summer. However, when they go to the station to pick up Pierre, 10 years old, they meet an attractive young woman who takes his place. The presence of Ivette is a shock to the family, especially for the older son, who is strongly attracted to the French.