Françoise Lebrun

마크는 자신을 해고하려는 영화사의 경영진으로부터 편집자와 함께 도망친다. 촬영분을 가지고 시골의 숙모 집으로 도피한 마크는 부족한 자신의 영화와 현실을 똑바로 보지 못하고, 새로운 영감을 찾고자 애쓰다가 자신만의 솔루션 북을 만들기에 이른다.

The French-Italian border at the Montgenèvre pass. Daytime reality: tourism, capital invested to make the mountain profitable. At night: the fragile destiny of more than ten thousand men, women and children who, in four years, risked their lives to cross the border.

Two septuagenarians return to a small town in the Dordogne. Every step they take brings them closer to the event that changed their lives sixty years earlier.

Arnaud, a student remaining alone in Paris during the summer, is obsessed with the wall where the names of the Parisian soldiers who died in the 1914 war are engraved. He finds himself confronted by one of these soldiers, who invites him to step out of time and to bring comfort to his loved ones.

"Drinking, dancing and... killing me. It's the new life my neighbour Jose has decided to live. What better way to escape boredom than coming to kill me every thursday? His wife, Lucie, prefers to go to a shrink. To each their own therapy.

파리에서 소소하게 살아가는 노부부. 아내에게 치매가 생기자 긴 세월 동안 쌓아온 부부 간의 신뢰가 무너지기 시작한다. 영화감독인 남편은 새 책 준비에 바쁘지만 치매를 겪는 아내에게는 지속적인 도움이 필요하다. 약물 중독을 앓고 있는 아들은 도움이 되지 않는다. 어쩌면 이 부부가 가지고 있는 문제는 치매 만이 아니었을지도 모른다. (제26회 부산국제영화제)

Frédéric and Suzanne bought their first VHS camera in 1989. The camera becomes a witness to their everyday life, their family time, and vacations with friends. A few years later, their son Tim is born. As their relationship slowly falls apart, Suzanne embarks on a desperate battle to fight forgetting by filming her loved ones.

While he loses his clandestine work, and because he believes that Maroussia and him will no longer be able to love each other as well, Frank leaves to earn as much as she: twelve thousand, just what it takes to have a year before them. No more no less.

Alice lives a normal, happy life as a mom, until her whole world is turned upside down: Thomas, the man of her life and father of her child, is suspected of being Antoine Durieux-Jelosse, the infamous assassin who vanished fifteen years ago after murdering his entire family. Years have passed, but Police Chief Sophie Lancelle has never given up her relentless search for the man who committed that unthinkable crime. She is determined to prove, come what may, that Thomas is that long-lost man on everyone's wanted list.

Women and men are lost in their thoughts at random hours of the day and streets of the city. From this sudden intimacy, the murmurs of their little inner voice let us hear the anxieties of love.

Martin, in a last ditch hope, comes to meet Léa in Paris. They are both twenty-five and shared their first love story together. They are both now striving to mature.

Gina, an American flight attendant, falls in with a Parisian bartender on a layover only to find herself tangled in a web of deception, delusion and unrequited amour fou.

Still pining for his ex-boyfriend, Géraud has come to a French seaside town to present his new experimental film, but the only person keen on seeing it is the cinema's underage projectionist who becomes smitten with the handsome director.

In 1852, the mountain village in Provence where Violette lives is brutally deprived of all its men after the repression of the republicans ordered by Napoleon III. Women spend months in total isolation, desperate to see their men again. In this situation, they make an oath in case a man arrives in the village.

An elderly woman discovers an adolescent wild boar on her doorstep and decides to adopt the beast as her last -- and most beloved -- child.

포르투갈의 아름다운 도시 포르토. 그곳에서 우연히 만난 프랑스 여자 마티와 미국 남자 제이크. 처음 보는 순간 두 사람은 서로에게 강렬하게 끌리고 인생을 바꿀 밤을 함께 보내게 된다.

돈에 눈이 멀어 악마에게 영혼을 판 아버지는 딸의 손까지 자른다. 소녀의 수난은 거기서 끝이 아니다. 물의 신을 만나 가까스로 허기를 채우고 잘생긴 왕자를 만나 트랜디 드라마의 주인공이 되려는 찰나, 왕자가 전쟁에 나간다. 그리고 악마의 사악한 계략으로 왕자로부터 그녀와 그녀가 낳은 아들을 죽이라는 잘못된 전갈이 오고 그녀는 쫓겨나다시피 그곳을 도망쳐 나온다. 칸영화제 ACID /안시2016 장편 심사위원상.

Laurent is seeking a path in life after living his childhood and teenage years in laziness. He has a conflictual relationship with Rodolphe, his father, and both are too emotional to express their mutual affection. Despite the women of his life hanging around him , Rodolphe has but one obsession: meeting Marguerite again, the first love of his life.

Elisa, on a verge of divorce, leaves Paris with her son Noe to settle in her hometown of Dunkerque to find the biological mother who gave her up for adoption 30 years before.

Paul is preparing to leave Tajikistan, while thinking back on his adolescent years. His childhood, his mother's madness, the parties, the trip to the USSR where he lost his virginity, the friend who betrayed him and the love of his life.

At the twilight of their lives, Alice and Jean would have been lovers, parents and grandparents. But if this cycle ends peacefully for Alice, Jean, for his part, experiences the slow loss of his physical and mental means.

In September 2011 writer Michel Houellebecq briefly disappeared off the face of the earth. Wild rumours began circulating on the Internet that he’d been abducted by Al-Qaeda or aliens from outer space. Some Twitter users even expressed relief that the controversial author was suddenly no longer around. This film now reveals what really happened: Three tough guys variously with impressive hairstyles and bodybuilder physiques carried off the star intellectual, taking him out of the daily stress of dodging autograph hunters and having his flat renovated and bringing him to a beautiful rural underdog idyll, full of dog grooming, bodybuilding demonstrations, junk cars and Polish sausages. But who was to pay the ransom?

Two Parisian high school students murder a woman they chose as a victim from a chance encounter.

Nouk and Samuel love each other, but they are young and possessive and awkward. One day, Nouk abruptly loses Samuel, who finds himself in limbo.

At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille returns at her home. She and his friends do not any more manage to contact Thomas. After investigation, Mireille learns that Thomas died in August, only. As he has no family his body was interred in the square of the needy of the new cemetery of Thiais. Mireille wants to honor the last wills of his friend, but the law is strict: to dig up the body and cremate it, the services of the city hall have to have the signature of a member of Thomas's family. Mireille learns that Thomas had a younger brother, Melchior. But But the young man, marginalized, abandoned for years by his older brother, refuses to sign the licence to dig up.

Documentary about the the film critic and filmmaker Jean-Claude Biette.

The French Trilogy showcases a series of 62 photographs taken by Philippe Terrier-Hermann with 25 actors in 6 French regions echoing his previous project, The American Tetralogy. Questioning the relationship between cinema, landscapes and representations, this project features a song by Edward Barrow and was visible in public space in France during the summer of 2013, through a distribution system borrowing from advertising strategies.

18세기 프랑스. 유복했던 집안이 몰락하면서 가족들의 강요로 수녀원에 들어가게 된 수잔. 낯선 생활에 적응하지 못하는 수잔은 수녀가 되는 것을 거부하지만 자신이 어머니의 외도로 나온 딸이라는 비밀을 알게 된 후 어머니의 죄를 대신해 수녀원에 있게 된다. 하지만 유일한 안식처였던 원장수녀가 갑작스레 세상을 떠나고, 새 원장수녀로부터 갖은 모욕과 핍박을 당하자 그녀는 친부를 찾아 수녀원을 탈출하기로 결심하는데…

In Greece to scatter his father's ashes, Isaac hears of a curse that hangs over the head of his family. Dismissing the idea, his trip begins to unveil dark truths that forced his father to flee years ago.

A woman wakes up in a river. Wounded and without memory, then races to elude mysterious followers and recover from amnesia.

Françoise Lebrun pens a love letter to all things English.

“I am a woman who does not know where she is going, but who, always, looks for beauty. As long as she does not flee me. Moritz, your beauty fled me. But I caught it and I carry it in me.”

Mathieu, a piano virtuoso, goes home to help his brother Paul to take care of their sick mother. Paul is into reenacting old battles, dressing up and getting into character, even dueling if necessary. Mathieu gets involved in this world and play becomes real.

전설의 프렌치 셰프 ‘줄리아 차일드’ (메릴 스트립). 외교관 남편과 함께 프랑스에 도착한 줄리아는 말도 잘 통하지 않는 외국생활에서 먹을 때 가장 행복한 자신을 발견하고 명문 요리학교 ‘르꼬르동 블루’를 다니며 요리 만들기에 도전, 마침내 모두를 감동시킨 전설적인 프렌치 셰프가 되는데... 사랑할 수 밖에 없는 뉴욕의 요리 블러거 ‘줄리’ (에이미 아담스). 한창 잘나가는 친구들과 잔소리 뿐인 엄마 사이에서 기분전환으로 시작한 요리 블로그. 유일한 지원군은 남편 뿐이지만 전설의 프렌치 셰프 ‘줄리아 차일드’의 요리책을 보며 365일 동안 총 524개의 레시피에 도전하는 그녀의 프로젝트는 점차 네티즌의 열렬한 반응을 얻게 되는데는 성공하지만...

Four women, all journalists for the French daily "Libération", decide to have, over the course of a week-end, an experience with a male prostitute.

The comedienne Françoise Lebrun regularly comes to the Maniquerville gerontology center to read Proust to the residents. It is an opportunity for them to discuss together the memory of lost time. A strong bond develops between Françoise and Clara, the center’s host.

Depuis peu Eric Vincent, trentenaire sans histoire, a un fort sentiment de malaise. Est-ce la peur d'avoir un enfant ou celle de voir brutalement resurgir le fantôme d'un père qu'il n'a jamais connu ? Un matin, un inconnu l'appelle pour lui proposer de récupérer les cendres de son père. D'abord réticent, il finit par accepter et se retrouve plongé au coeur d'une machination infernale.

최고의 권위를 자랑하는 세계적인 프랑스 패션전문지 엘르의 최고 편집장인 쟝 도미니크 보비. 잘나가던 그는 어느 날 갑자기 뇌졸중으로 쓰러진다. 그리고 20일 후, 의식을 찾은 쟝은 오로지 왼쪽 눈꺼풀만으로 의사소통을 하게 된다. 좌절의 순간에서도 쟝은 희망을 가지며 자신의 상상력에 의존한 삶을 살아가기 시작한다. 눈을 깜빡이는 횟수로 스펠링을 설명하여 자신의 일과 사랑, 그리고 인생에 대한 이야기들을 상상하며 담담하게 책으로 써내려 간다. 쟝은 자신의 책 속에서 영원히 갇혀버린 잠수종을 벗어나 자유로이 날아다니는 한 마리 나비로써 또 한번의 화려한 비상을 꿈꾼다.

A filmmaker and his crew try to enter the passionate world of Port-Royal and of Jansenism. Another Age of Louis XIV comes to life, the age of Pascal, Racine and of the “Friends of Truth”. The film itself comes up against the unanswerable question of grace.

The parallel fates of a few inhabitants of a strange planet : the world of Internet gay encounters...

The parallel fates of a few inhabitants of a strange planet : the world of Internet gay encounters...

French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation's other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man's addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali's latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings.

When her husband dies, Geneviève loses her bearings. She runs away from her loved ones. But in the trunk of his car a clandestine man hid. He is Kurdish, his name is Khader and understands that she must drive him to England.

Wanting to prove to his wife that he is cured after his brief stay in a psychiatric hospital, John insists on giving her a microwave oven.

Ivan's and Serge's occupation is to enter dance competitions where they meet each time new female partners; a wounded gangster who's just burglarized a bank ,forces them to drive him at gunpoint.

Ángel Díaz’s documentary The Lost Sorrows of Jean Eustache, concentrates on Eustache as cinematic thinker and archivist of his own life. Actors read texts written by Eustache, including the following reflection: “The role of the author in cinema should be one of non-intervention.” This sentence reminds us that he belongs to the greatest of film traditions (he cites Griffith, Renoir, Dreyer, and Lang as his models), the one that sees cinema as a matter of placing the camera in front of reality and capturing it ardently, precisely, and without tricks.

Michel and Juliette have just broken up over Michel's affair with the much younger Romance. Alice and Nicolas are still together, but maybe this is because Nicolas does not know of Alice's affair with handsome sports photographer Gaspard. This sly sex comedy, the sophomore effort of Belgian filmmaker Lucas Belvaux, follows the covert sexual misadventures of the troubled foursome.

Paul Vecchiali’s short ode to self-immolation, made in cahoots with the French Federation of Cremation. Didactic and semi-documentary, but, like another dust story, Franju’s Les Poussières, always personal. A film about the body, parents, memory and love after death. With Vecchiali and Françoise Lebrun.

On Paul's initiative, Françoise and Paul met after a long separation, on the pretext to search in commun for a lost memory, a song. It soons appears that Paul's objective is to win her back.

On Paul's initiative, Françoise and Paul met after a long separation, on the pretext to search in commun for a lost memory, a song. It soons appears that Paul's objective is to win her back.

A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.

A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.

The tribulations of a bisexual who's a bit of an exhibitionist.

A middle class leftist man of the Seventies decade, starting to show signs of aging and a loss of identity, runs away from his commitments.

Jeanne has been divorced for seven years now and her life is centered around Sarah, her fifteen year-old daughter. They appear to have a perfectly harmonious life together, a relationship based on deep mutual understanding and trust. So when Sarah needs a contraceptive, it's her mother who goes alone to the drugstore with her. However, under this idyllic surface there are tensions at work. Jeanne's on and off affair with Pierre does not save her from feeling lonely, and Sarah is bored by school. Both of them dream of an independent life, though neither will admit it.

In 1979, under the presidency of the city mayor, the people of Pessac elect a virtuous and gracious maiden from amongst the residents, following a tradition that comes from times immemorial.

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

A poll for an advertising agency during a working day resulting in a series of meetings with women and men from different social strata, each one of them with a different problem.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

1930년대의 인도. 프랑스 대사관 부영사의 아내인 안느 마리는 인도의 더운 날씨가 견딜 수 없이 싫다. 그녀는 인도의 더위와 답답한 생활에 짜증이 나기 시작하고, 그 짜증은 덥다는 이유로 인도를 좋아하는 사람들에 대한 적개심으로까지 발전한다. 그리고 그 모든 것을 잊기 위해 안느는 사랑을 찾아나선다. 한편, 그녀의 남편은 아내의 외도를 알고 있지만 아내가 왜 그런 행동을 하는지 이해하고 짐짓 모른 척 지낸다. 그러나 그녀가 정작 원했던 것은 남편의 사랑이었다. 단지 그가 요구하지 않았기 때문에 밖으로만 나돌았던 것. 남편은 그 사실을 알고 당황한다.

In the French countryside it's the day for peasants to kill a big fat pig. The slaughter goes on for a great part of the day as they work to store 140kg worth of meat.

A man returns to the place he once lived a passionate love affair with a woman who is now dead. So powerful are the emotions that seize him that he imagines she is still alive, and begins to live as if this were the case...

클래식 음악과 실존주의 철학을 신봉하는 인텔리 알렉상드르는 직업도 없이 애인인 마리에게 빌붙어 살고 있다. 어느 날 그는 옛 연인 질베르트에게 청혼하지만 거절당한다. 그는 카페에서 우연히 만난 베로니카와 사랑에 빠지고, 마리와 베로니카는 서로를 질투하게 된다.

A young woman escapes her father's house and goes to live in the city. There, she realises her father may still be controlling her life through the people she meets.