Leif Panduro

An uptight young man and his equally uptight family moves next door to a hedonistic clan, including the beautiful, sexy Topsy, who charms the new neighbor boy Tom. But Tom discovers that the price of loving Topsy may be higher than he's willing to pay -- she insists on absolute honesty and a life and love without possession or exclusivity.

Based on Leif Panduro's 1958 satire classic. David, a senior high-school student, aims a swift kick at his principal's behind and is committed to a psychiatric ward from the perspective of which he takes a close look at his allegedly sane family. They, of course, are the real loonies. The psychiatrists are worse. Only lovely class-mate Lis is down-to-earth and trustworthy.

Spøgelsestoget (English title: The ghost train) is a 1976 Danish family film directed by Bent Christensen. It is based on the 1923 play The Ghost Train by Arnold Ridley.

Spøgelsestoget (English title: The ghost train) is a 1976 Danish family film directed by Bent Christensen. It is based on the 1923 play The Ghost Train by Arnold Ridley.

Daniel owns a shoe factory. He is in his fifties, married to Elisa, has a son who studies psychology and a mother who is at a nursing home. But when he applies for a life insurance his life changes. Because he has to undergo a number of health examinations, and maybe he is not what the insurance people call "a good life".

Taking place on a small villa road: The two neighbors Gormsen and Sandelund have been at a dispute for years and this evolves into an all out war. Sandelund is a wholesale dealer in meet, a capitalist and has one of this modem houses with a flat roof. Gormsen is a dentist, and a communist, he has a new wife that are younger then his son, and lives in one of these old-fashioned half-timbered houses. A third factor is the merchant Krause. To begin with he is a small time grocer and progresses into the end, a big time businessman. He is a deeply religious man, a good Christian, and member of the parochial church council. There children, (teenagers) find their conflict silly and stupid.

A gentle comedy offering the promise of easy social consensus. Harry (Helmuth) is a simple old-time shop porter offered a chance at self-realisation when he's bequeathed a sum by an unknown relative (via several levels of fiscal blood suckers). He decides to engage a butler to take good care of him for a time. This is a man of distinguished upper class service, but a generous nature which happily integrates with Harry's small but colourful world of drinking buddies and crackpot neighbourhood kids.