Thomas Holtzmann

After the partner of a policeman is killed he is drawn into a mysterious plot of conspiracy and terrorists.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

Chancellor Helmut Kohl is to blame in Germany and has to go away without violence. The homeless Hick takes up the idea and demonstrates the abolition of Kohl.

This German political drama from iconoclastic filmmaker Herbert Achternbusch takes a slightly askew look at neo-Nazis and the Holocaust. His non-story (a typical trait of Achternbusch films) is divided into three parts. The first introduces Hades, an eccentric half-Jewish coffin maker. Also introduced are the women in his life. The second part depicts different scenes from the city's Jewish ghetto. Included are disturbing film clips from Nazi propaganda footage that shows the naked corpses of starved Jews piled up in the streets with the insinuation that the heartless relatives of the dead would unceremoniously toss them out when they expired. In the third part, Hades is buried at sea. In between, neo-Nazis march unopposed in Munich, Hades battles skinheads, and Hades' shop is repeatedly vandalized. A scene where Hades is fascinated with death is also seen.

Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.

For fans of history, this glimpse of Munich society in the 1920s will be a much-treasured event. The story revolves around an art-gallery manager who puts on a show featuring the scandalous works of a woman artist who committed suicide. He is unjustly accused of having committed adultery with her, and for some reason the authorities decide to make an example of him. He is imprisoned at about the same time that Hitler and the nascent Nazi party attempt the infamous Beer Hall Putsch, and the gallery manager's girlfriend and a Swiss writer valiantly (and unsuccessfully) attempt to get better justice for him. Nobody in authority, it seems, has the courage to take up the challenge of righting this particular injustice.

Production of Mozart's opera about the Spanish nobleman who seeks to rescue his beloved Konstanze from the hands of the Pasha. Karl Bohm conducts the Chorus and Orchestra of the Bayerischen Staatsoper with the right balance of serious purpose and light lilting lyricism. This production, staged by August Everding with set and costume design by Max Bignens, was filmed from a live television production relayed on the First Programme (Channel 1) of German television on 25 April 1980,

It's medieval times. Kohlhaas merchants with horses. When going to the local fair to sell his horses, is forced by a noble to leave him part of the merchandise as payment for traveling through his land, promising to give it back when the fair is over. When he returns, the horses are almost dead, and the man refuse to respond, so Kohlhass begins to fight unsuccesfuly against the injustice.

서베를린 미 관할 지역, 동베를린에서 피아니스트 빅터 바제브스키가 극적으로 탈출한다. 첩보원 해리 파머는 베를린 지역으로 파견 나온 KGB의 스탁 대령의 망명 책임을 맡게 된다. 위조여권을 지니고 베를린으로 향한 파머는 영문도 모른 채 체포된다. 그를 기다라는 것은 스탁 대령. 의심을 피하기 위해 파머를 체포한 후 접선을 한 스탁 대령은 망명하고 싶다는 의사를 전달하고 조건을 내세운다. 완벽한 탈출계획을 위해 오트 크루츠만과 작업하기를 원한다. 파머는 크루츠만과 접선하기 위해 친구에게 부탁을 하지만, 일이 꼬이면 변사체로 발견될 것이라는 경고를 듣게 된다. 그때 우연을 가장해 파머에게 접근하는 사만다 스틸. 파머는 그녀의 유혹에 빠져들지만, 동시에 그녀의 정체를 알기 위한 계획에 착수한다.

The student rowing team of the Moscow Aviation Institute (MAI) was defeated in the competition. The coach drops the team and leaves, taking the best rowers with him. The remaining athletes decide to assemble a new team, and the management of the institute appoints a new coach for them — a teacher of hydrodynamics.

섬세하고 나약한 지식인인 조셉 케이의 집에 경찰이 들이닥치고 그는 죄목도 밝히지 않은 채 구속된다. 그 뒤 케이는 자신의 무죄 석방을 위해 경찰과 변호사, 법관들, 끝내는 신까지 차례로 만난다. 한편 경찰과 변호사, 법관들도 인간인지라 헛점 투성이였고, 그들이 헛점을 위장하기 위해 허세를 부리는 것을 목격한 케이는 좌절하며 반항한다.