Director
With fine watercolour strokes, Daniela de Felice paints the portrait of a young woman in love and with a true passion for politics. The film takes us back to the Italy of the 1990s, between Berlusconi’s rise to power and the final reverberations of the 20th century. Ardenza is unexpected and moving, with riveting sensitivity and sensuality.
Editor
Jann Gallois is a dancer and choreographer. Her body is her work tool. Always looking for the right movement, she twists it, bends it, stretches it, breaks it. But memories reappear and the body’s memory, excessively in demand, awakens old wounds. How does this dancer, who says she is "passed through by others and by herself", live with her body?
Editor
Yesterday, I overheard an old rock ’n’ roll song that sounded familiar. This is probably the music that we used to listen to on my dad’s mechanical devices—the thousand-lives man, the king of the juke-box.
