Yumi Narita

A respected chef from a lineage of sushi makers attempts to connect with his son through the shared knowledge of the family trade. Tensions arise as he begins to notice a strange pattern of behavior in the young boy.

프랑스에서 3류 영상만 찍고 있는 레미(로망 뒤리스)에게 일본에서 이미 성공한 원테이크 좀비 영화를 프랑스 버전으로 만들어달라는 의뢰가 들어온다. 낯선 창고에서 촬영이 시작되고 레미는 원하는 결과물이 나오지 않아 격분한다. 그 순간, 어디선가 ‘진짜’ 좀비들이 나타나고 촬영장은 아수라장이 된다. 레미는 '카메라를 멈추면 안 돼!'라고 외치며 이 모든 상황을 영화로 촬영하는 것을 멈추지 않는데...

Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs. Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life. Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.

March 11, 2011. The biggest tsunami Japan has ever expe- rienced triggers the Fukushima disaster. Risks are being downplayed but the foreign community in Tokyo is terrified by this tragic event and the fact that no one is capable of assessing its scope. Among them, Alexandra, a French executive newly arrived from Hong Kong to work in a bank, has to face this nuclear crisis. Torn apart between fol- lowing the company’s instructions and going back to her husband and children who are still in Hong Kong, she will find herself defending honor and given word, despite the pervading terror and chaos.

Alex, a young, somewhat lost, daydreaming graphic designer, falls for his new neighbor Lili, a beautiful Asian girl. Too shy to approach her, Alex secretly observes her and quickly discovers her secret: Lili does not come from China, but from far far away.

팔레스타인을 떠나 제2의 터전을 찾고 싶었던 일리야 술레이만 감독은 자신을 따라다니는 팔레스타인이라는 꼬리표를 떼어버릴 수 없음을 알게 된다. 새로운 삶을 향한 그의 열망은 이 영화에서 실패를 자조하는 희극으로 전환된다. 술레이만 감독은 파리, 뉴욕 등 세계 대도시를 다니며 제작자들에게 서툴게 자신의 ‘팔레스타인’ 영화를 설명하고 무표정한 얼굴로 거리를 응시하는 자신의 페르소나를 연기한다. 영화 속 술레이만은 팔레스타인 사람이면서 극중 인물의 말처럼 ‘충분히 팔레스타인 사람 같지 않은’ 존재로 어느 곳에도 섞이지 못한다. 감독은 어눌해 보이기도 하고 현자 같기도 한 또 다른 술레이만의 눈을 통해 세상과 팔레스타인의 현재 모습을 풍자적으로 보여준다.

Tokyo, late 1950s. A man is investigating the strange suicide of Christophe, his friend and colleague from the University. His research drives him to wander at night, in a city with a suffocating atmosphere and full of mysteries.

Rika, a young Japanese girl lives with her new French​ husband Isaac in Paris. She finally manages to renew her residence permit after the long struggle through chaotic French administration. However, a man from the Japanese Embassy brings a cruel reality to her and menaces: we have to deal with your parent's situation. She faces the Cornelian dilemma.