Laurent Natrella

1894년 12월, 프랑스의 알프레드 드레퓌스 대위는 독일 대사관에 군사정보를 팔아넘겼다는 혐의로 체포되어 반역죄를 선고받는다. 사건의 증거는 단 하나, 정보를 빼돌린 서류의 필적이 드레퓌스의 것과 비슷하다는 것뿐. 드레퓌스는 굴욕적인 군적 박탈식을 거쳐 '악마의 섬'으로 영원히 유배된다. 하지만 새로 부임한 피카르 중령은 드레퓌스 사건의 필적과 매우 유사한 서신을 발견하고, 은밀히 사건을 재조사하게 된다. 피카르가 진실에 다가설수록 군의 수뇌부는 은폐와 조작에 급급해하며 그를 궁지에 몰아넣기 시작하는데…

Written in 1760, Carlo Goldoni’s comedy has never been performed at the Comédie-Française, perhaps overshadowed by the famousHoliday Trilogy. A satire of the Venetian merchant class, embodied by narrow-minded, complaining and intolerant men whose mistrust of the fairer sex borders on the absurd, The Boors perfectly illustrates Goldoni’s theatre, a “theatre of life with a real content, characters observed in reality, and a natural expression.” Thus, a theatre in which the man Voltaire described as “nature’s son and painter” scrutinises his contemporaries, their relationships and their social behaviour. His work served to entertain while providing posterity with an acute testimony of the morals of his time. Indeed, Jean-Louis Benoit warns against reducing the author to a simple “photographer of reality”.

거칠고 황량한 야생에서 태어난 늑대개 화이트팽. 하지만 인간은 화이트팽에게서 어미를 빼앗은 것도 모자라 어린 화이트팽을 길들이려고 몽둥이와 주먹, 채찍으로 잔인하게 구타한다. 결국 화이트팽은 인간에게 충성을 맹세하고 썰매개로 자라난다. 원주민 주인에게 충성을 다했지만 주인은 화이트팽을 투견장에 팔아넘기고, 새로운 주인은 화이트팽을 투견으로 만들려고 무자비하고 잔인한 폭력을 끊임없이 행사한다. 투견장에서 끊임없이 싸워야 했던 화이트팽은 죽음의 문턱에서 새로운 주인 위든 스콧을 만나는데...

Cyrano has a prominent nose but also a gift with words by which he helps handsome Christian to conquer Roxane. Also in love with the girl he chooses not to reveal to her that every word of Christian comes out of his own heart. In cinema, this ROSTAND classic filmed live from the Comédie Française.

Marie Madeleine Dreux, Marquise of Brinvilliers, was executed in 1676 for poisoning. Manipulated by her lover and having kept the aftereffects of her childhood, she does not hesitate to poison her father and two brothers to recover their inheritance.

A little house in the suburbs in the middle of nowhere. A car trapped in the snow. The great desperation of a couple who kill time in front of the television. And this strange impression of déjà-vu. But you better hold on because at any moment everything could change.

Romain, a well read and articulate real estate agent, protects his grandmother from a bailiff that wants to seize her property,

Fanny has been a paraplegic since a paragliding accident ten years before. She wants to pursue her vocation as a math teacher and is given one month to prove herself.

Chronic serial womanizer Stephane Margelle drops his wife Sophie off at the airport so she can go away for Easter weekend. He immediately picks up beautiful young Julie, who has just had a fight with her married boyfriend. He gets her back to his apartment and is preparing for a sexy weekend, when his wife suddenly returns home. He makes up a bizarre, on-the-spot, spur-of-the-moment story that the gorgeous girl is actually his long-lost daughter. Julie plays along, but this leads to a whole series of increasingly ridiculous lies and comical situations (such as when her real mother shows up).