Frederick Shanahan

약력

Frederick is an award-winning film editor based in New York City. He won Best Editing at the 2018 Tribeca Film Festival for his work on the feature documentary When Lambs Become Lions. His feature work also includes The Birth of Sake, which premiered at the 2015 Tribeca Film Festival and aired on PBS POV in 2016; From This Day Forward, which premiered at the 2015 Full Frame Film Festival and aired on PBS POV in 2016; The Search for General Tso, which premiered at the 2014 Tribeca Film Festival; and The City Dark, which premiered at SXSW in 2011 and was nominated for an Emmy in 2013. Frederick also has extensive TV experience, which includes work on the Netflix Original Series Salt Fat Acid Heat, the National Geographic Original Series Year Million, the CNN Original Series Death Row Stories, the A&E Original Series The Killing Season, and the Netflix Original Series Cooked, which premiered at Berlinale in 2016. He graduated from the Boston University College of Communication, magna cum laude, with a B.S. in Film and Television.

참여 작품

The Emoji Story
Editor
Emojis are a worldwide phenomenon, with some arguing that these smiling poops and heart-eyed faces are on the verge of actually becoming their own language. Who, if anyone, is in charge of this new global digital language?
Narrowsburg
Editor
The stranger-than-fiction story of a French film producer and her mafioso-turned-actor husband who attempt to turn a tiny town into the “Sundance of the East.”
제너럴 쏘 치킨을 찾아서
Editor
서양 사람들이 가장 좋아하는 중국식 미국 음식이라고 할 수 있는 ‘제너럴 쏘 치킨’의 기원을 찾아가는 다큐멘터리. 쏘 장군이 대체 누구길래 5만여 곳에 이르는 레스토랑에서 그의 이름이 붙은 튀긴 닭 요리를 만드는 것일까? 영화는 이 서구화된 음식과 비밀에 싸인 그 배후의 인물을 찾아가는 과정을 통해 이민, 적응, 혁신 등 좀 더 포괄적인 화두를 풀어놓는 한편, 문화와 요리의 역사를 바탕으로 여러 레스토랑들과 차이나타운을 샅샅이 뒤지고 미국적인 상상력을 발휘하면서 제너럴 쏘 치킨을 찾아가는 유쾌하고 발랄한 여정으로 관객을 이끈다. (2016년 제2회 서울국제음식영화제)
World Fair
Editor
The future was now at the 1939 World’s Fair – and it is still awesome. From the perspective of the 21st century, it’s hard to imagine what a marvel the 1939-1940 New York World’s Fair would have been to its visitors. Still living in the heavy shadow of the stock market crash of 1929, the many people who flocked to the big exhibition found not only bounteous luxuries such as free Coca-Cola, but the unveiling of unthinkable new technologies that promised that a better world lay ahead. Using sparkling, rare, colour film footage – itself a brand-new technology at the time – the US director Amanda Murray mines the memories of several people who attended the New York World’s Fair in 1939.