Miguel Dedovich

덴마크에서 와인 가게를 운영하는 크리스티안의 삶은 엉망진창이다. 그의 아내는 아르헨티나의 부에노스아이레스에서 유명한 축구 선수와 살며 에이전트로 일하고 있다. 크리스티안은 이혼을 매듭짓기 위해 아들과 함께 아르헨티나로 떠난다. 그곳에는 끔찍이 싫어하는 말벡 와인과 축구 경기가 있다. (2011년 16회 부산국제영화제)

산타 페 1105번지4층, H호 외부와의 접촉을 최소화한 채 컴퓨터로 모든 생활을 해결하는 웹 디자이너 마틴. 오늘도 그의 곁을 지키는 건 7년 전 헤어진 여자친구의 강아지 수수 뿐이다. 마틴에게 온라인 채팅은 일상처럼 익숙하지만, 낯선 이와의 데이트는 어색하고 불편하기만 하다. 산타 페 1183번지8층, G호 도시의 쇼윈도를 디자인하는 디스플레이어 마리아나. 힘겨웠던 4년 간의 연애를 끝내고 집에 돌아왔지만 그녀를 반기는 건 묵묵부답의 마네킹 뿐이다. 이별 후의 밤이 유독 힘겨운 마리아나는 오늘도 이 도시 어딘가에 있을 운명의 상대를 상상한다. 갑작스런 정전으로 모든 게 멈춰버린 밤, 집 밖으로 나선 마틴과 마리아나. 가까이 있으면서도 서로의 존재를 모르던 그들은 과연 사랑을 이룰 수 있을까?

In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.

Luciano works in birthday parties and writes his first feature when friend Manuel returns from Spain to repeat his TV show, "The Paranoids", together with his girl Sofia. Manuel is everything he is not and his trying to be helpful in his career and with women, only worsens the conflict. When Manuel leaves Sofia with Luciano for two days, she is seduced by the qualities Manuel rejects in his friend as weaknesses. Sofia changes. Luciano also, but only at the last moment he can overcome the fears he has been cultivating his whole life.

A businessman travels to Patagonia and tries to convince people who live in the area to build an expensive hotel regardless of a building of such magnitude could destroy the beauty of the place. He will learn a valuable lesson about environmentalism.

After losing their bearings, a group of Chilean soldiers learns some lessons about their enemy's humanity in this dark comedy set during the 1970s war between Chile and Argentina. Digging in where they are, the troop soon discovers a nearby Argentinean platoon. Unsure how to handle the situation, the two groups start passing notes via a stray dog, and eventually achieve a wary camaraderie.

In a country that has been broken down and corupted by poverty, Pablo and Mario are best friends and local thieves. Although they come from very different backgrounds, they help each other out by commiting petty crimes that help Pablo support his family and Mario become independent from his own. In a twist of fate, they become involved in a kidnapping that goes sour. This tragedy triggers and unmasks a series of events that changes their lives forever. Now the two friends will be tested and their lives taken to the limit.

The story of some neighborhood boys, narrated with an undoubted Borgian spirit. (ucine.edu.ar)

The film focuses on the journey of General Juan Facundo Quiroga, with a very compromised health, to the north in order to resolve the conflict between the provinces of Salta and Tucuman.

A young businessman, owner of a major publishing house, is found shot to the head. Everything suggests a murder, since he was doing a journalistic investigation about a shady business.

"El Pollo," a 13-year-old child in reform school, witnesses and experiences the brutalization of the guards and the other inmates.

A review of fiction about the life of Florencio Parravicini.

The Night of the Pencils was a series of kidnappings and forced disappearances, followed by the torture, rape, and murder of a number of young students during the last Argentine dictatorship (known as the National Reorganization Process). The kidnappings took place over the course of several days beginning on September 16, 1976.

Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.