Martin Powolny, a down and out actor, calls himself Tiger. He lives in a tree house and practices his characteristic yell. An offer to make a film and an air-travel ticket entice him into the big city of Vienna. The director hopes he can finance the film if Tiger plays the leading role. There is no screen story as yet. Running away from a mean nightclub owner, Tiger is hit by an automobile and lands in a hospital.
Martin Powolny, a down and out actor, calls himself Tiger. He lives in a tree house and practices his characteristic yell. An offer to make a film and an air-travel ticket entice him into the big city of Vienna. The director hopes he can finance the film if Tiger plays the leading role. There is no screen story as yet. Running away from a mean nightclub owner, Tiger is hit by an automobile and lands in a hospital.
This film combines two very different styles: an atmospheric psycho thriller about the ice-cold hired gun (masterfully played by Frank Gorschin), and the bizarre satire of the Austrian TV serial "Kottan ermittelt".
Viennese vegetable merchant Karl Kassbach becomes a member of a right-wing extremist organization, which plans numerous attacks on democratic institutions and journalists.
The film attempts to portray a realistic and detail-oriented study of the mind of the "Kleinbürger", trapped between the fringes of the lower and middle-classes.
Viennese vegetable merchant Karl Kassbach becomes a member of a right-wing extremist organization, which plans numerous attacks on democratic institutions and journalists.
The film attempts to portray a realistic and detail-oriented study of the mind of the "Kleinbürger", trapped between the fringes of the lower and middle-classes.
Although he spent a relatively short period of his life in Austria, Canadian-born John Cook (1935–2001) remained, in his own words, "Viennese by choice.” Having worked as a commercial photographer in Paris, Cook’s […] first “regular” production was Schwitzkasten, based on a novel by the leftist writer Helmut Zenker. Today, the film is considered one of the few undisputed masterpieces of the New Austrian Cinema: a freewheeling, tender, and strangely humorous portrait of working-class (and out-of-work) lives.
